Gordon Bass shaves his head to play Daddy Warbucks

ANNIE at the Empire Theatre
April 24 - May 17, 2009
More Info | Tickets

Dawn Westbrook shaves Gordon's head in the R.J. Tilley showroom

An Actor...

Posted by Billy Christopher Maupin

I don't even know what to call this post. There are many titles it could hold, but none of them quite seem to do it justice. The show closes today with the two o'clock performance. I used to think that closings would someday get easier. And maybe someday they will. But, every one remains to be different.

This experience...I don't even know. I have so enjoyed every single person that has been involved with this show. It seems to have become such an embedded part of life that it now seems so strange that it's going to end. It seems so rare that a whole cast seems to really click together with no exceptions, especially a whole team.

I felt like with Smoke on the Mountain that the whole "family" just seemed to mesh so beautifully, but with that there was the hope of perhaps performing one of the sequels in a not-so-distant season (and we are now, in fact, all going to be back together it seems to perform Sander's Family Christmas at Barksdale Theatre at Hanover Tavern starting in November). But with Rumpelstiltskin's Daughter, it's one of those that you know for certain that you will never have these same people in a cast together again. It's like moving away from home.

There are so many wonderful memories. We have such an incredible time. So much fun amidst so much hard work. But everything must have a balance it seems. And having the best job in the world must have it's downfalls. Closings, for me, are the biggest of these.

With these people, I even seem to be able to take joy in the dance numbers (which frighten me on a regular basis).

I don't know that I can continue to be anywhere close to articulate about how I feel about the cast and crew and creative team, so I should wrap it up.

It's been such a beautiful story to be able to tell, with such beautiful people. I feel so fortunate to have been able to be a part of this project and I know it's one that I will forever carry fond memories of.

I really love this cast. The ones that I've been hoping to work with for quite a while, the ones that I've worked with before, and the ones I didn't know before.

This is going to sound really cheesy, but theatre seems to me to really be magical. (Cheesy continues:) One of the lyrics in the show is "Magic changes all of your faces. Open your heart and you'll find, that magic lives in all kinds of places, like deep in your heart and in mine." I have learned so much from this cast, all of them (Cathy, Corey, David, Gigi, Jackie, Jacquie, Maggie, Matt, Richard, Thomas), from Dawn, from the crew, from the playwright, from the play....I should really pull it together and stop crying. hahaha. But this has truly been one of my favorite and most magical experiences. I hope that I'm able to take that and carry it on. I hope we all are.

In Gigi's Words...

Posted by Gigi Galiffa via Billy Christopher Maupin

Hello everyone! OK, here goes. So I was asked to write a blog about Rumpelstiltskin's Daughter (at least it's not as hard as spinning gold, right?) and I decided that instead of singing a song about it, I would just go ahead and do it.

Haha =]. Please excuse my bad jokes. Anyway...about the show.

I'll start at the beginning. Since the audition process, this experience has been one new adventure after another. On the night of the callback audition, I ran into the Little Theatre more than halfway through the audition, coming from a district field hockey game. Adhering to Dawn's request, I stayed in my sweaty uniform and kept myself a stinky mess from the game. What a great impression, huh? Apparently the smell didn't offend her too much, because the next day she called me with the exciting news that I had been cast as the title character! I literally screamed when I got the message! Fully supported by my friends and family, I accepted my first big professional role.

Then came the first meeting/read-through. How exciting/ terrifying/ fun/ intimidating/ hysterical! I was sitting in a room talking and eating pizza with people I've seen in so many shows around Richmond. And now I was doing a show with them?! "OMYGOSH! What am I doing here? Dawn must be crazy!" ...a little dramatic I know, but hey. My performing experience had consisted of show choir and high school musicals. But right away, everyone was so welcoming that my nerves were calmed and excitement took over.

Then, rehearsals started and the rest, as they say, is history. Who could ask for a better group of people to work with? I don't think I made it through even one rehearsal without laughing so hard my stomach hurt! And the beauty of it is that we actually got work done!

I've made some great new friends and even reconnected with some old ones. I've also learned so much about myself and my performance (as well as theatre as a whole) in the past four weeks than I think I have my whole life. The show is super fun! Dawn is wonderful! The cast, crew, and creative team are too awesome and talented for words! I wish I could express just how much it means to me to be a part of this show and know all of these amazing people, but then I would have to write a big, long blog and... oh wait. Hahaha.

So I guess what I'm trying to say is I'm absolutely loving everything right now in my 17-year-old life, and a good deal of my happiness is due to my experience in Rumpelstiltskin's Daughter. I love you guys!!!

"Sanity and happiness are an impossible combination." =]

- Mark Twain

The Reviews are in for RD

By Billy Christopher Maupin

What some are saying about Rumpelstiltskin's Daughter at Theatre IV:

Mary Burruss (a regular theatre critic for STYLE Weekly) writes on the RichmondVATheater Blog:

"[My seven-year-old daughter and I] both walked out with big smiles on our faces."

"Engaging for kids of a variety of ages and the adults who escort them, funny, enlightening with it's message, politically correct for our time, colorful and just the right length"

"new, well directed, well acted, well designed and crafted set, sound, and lighting, appropriate, fun, well thought out costumes, excellent make-up, choreography that is appropriate for the show and its actors, and wonderfully talented cast who's abilities are utilized properly to make a show that flows seemingly flawlessly across the stage"

"hilariously wicked duo of Jackie Jones and Matt James"

"fell in love with Richard Koch as the King"

"really great theatre"

Susan Haubenstock writes in today's Richmond Times-Dispatch review:

"Dawn A. Westbrook is the director/choreographer, and she brings lots of fun to the show, aided especially by Elizabeth Weiss Hopper's witty costumes and Greig Leach's brightly colored scenic design. Westbrook's dance numbers are especially amusing, and she gives her villains--the hilarious Jacqueline Jones as the Queen Mother and Matthew James as the Duke of Bonfire--loads of funny business to do."

"Richard Koch, who gives a hysterical performance as the King. He's greedy, he's vain, he dresses funny, and he talks silly -- he's a perfect buffoon."

YAY! Congrats to Theatre IV!!! Get your tickets! It closes in only two weeks on February 10.

Also be sure to be on the look out for another free ticket contest and the "An Actor Prepares" blog at http://www.theatreiv.blogspot.com/.

Tickets can be purchased online or by calling the box office at 344-8040. (Or you can purchase tickets through the Barksdale Theatre box office with the same phone call, while you're purchasing tickets for Doubt: A Parable [Starring Duke Lafoon, Irene Ziegler, Maggie Roop, and Katherine Louis]).

An Actor is...Really Behind in Blogging!!!

Post by Billy Christopher Maupin

I just slept about 14 hours which might explain why! It's been a crazy, crazy week! And now there are so many things to talk about. I thought about writing three successive posts, but perhaps I'll throw it all into one!

I promised pictures when I got into the office, but alas a gazillion other projects awaited at the office, but hopefully I'll have them up this evening.

The "preview performance" Friday morning went very well. It was a school matinee so lots and lots of elementary and middle school students. It's been quite a while since I've done a theatre for young audiences show. With the exception of one day of The True Story of Pocahontas on tour when David Janeski was sick and I filled in for him on-book, my last performance of such a production was as the title role in The Adventures of Huckleberry Finn with Theatreworks/USA in New York in early May of 2005 (pictured to the right is an offstage picture [in costume] of Sloan [Tom Sawyer], Ben [Huck's Father], and me [Huck]). I really had forgotten the utter joy of bringing live theatre to children. It was so incredibly moving. And continues to be with each performance. Especially with the ending of the show when a little secret is revealed in the plot (which I won't give away here, because Dawn, Bob, and so many others would probably have my head) I get very misty-eyed and have to try to not shed the tears onstage...which I haven't yet been successful in doing. Hahaha.

Then we opened Friday night! People loved it! It was fantastic! So much fun! Then Theatre IV had an opening night reception, which was also great fun, so we were there for a while.

Then several of us went over to Comfort (a nearby restaurant) and hung out with Dawn since she started vacation with a 4AM flight on Saturday (which I'm told was quite turbulent) and is now enjoying some ski slopes with her husband, Carl, and daughter, Sydney. We had a blast! Mary Burruss came on opening night which was really exciting. I don't think STYLE is going to have an opportunity to run a review of the show, but when I ran into Mary at Pet Shop Days at the Firehouse the Friday before, I told her she had to come anyway. She wrote a really fabulous blog about the show on Dave T's blog at http://www.richmondvatheater.blogspot.com/. So you should definitely check that out.

Two shows yesterday, Saturday. The first at 10AM!!! Wow, that's early. The morning audience seemed relatively quiet, but really enjoyed the show. The afternoon audience was very vocal, which is always fun.

Oh, oh, oh. There is a "Meet and Greet" following each public performance where the audience gets to meet the cast and get their playbills autographed and all that fun stuff. While I was signing a child's program, the woman with the child says, "You write the blog, right?" YAY! It was so exciting! I realize that the TIV blog has a less frequent readership that the Barksdale blog which is sometimes a bit discouraging, even though there are tons of factors that play into that. Anyway...her incredibly wonderful comments about the blog really made my day.

I think I should stop now. On to the hunt for breakfast!

Dawn Westbrook...Questionnaire...'Nuff Said

Posted by Billy Christopher Maupin

Dawn Westbrook, our hysterical director of Rumpelstiltskin's Daughter, has filled out the new questionnaire! This woman is a riot! So I'm just gonna let it speak for herself. And if you wanna see her hysterics onstage, come check out RD at Theatre IV, opening THIS FRIDAY!

Hometown: Sandston, Virginia

Audition song: "Don’t Rain on My Parade" from Funny Girl

Special skills:Right now??? Doctoring up gold coins to make them shiny.

Favorite word: Cozy

First show ever saw: Professional would have been at Theatre VA and I think it was Tintypes

If you could go back in time and catch one show (Broadway or otherwise) what would it be?: The original cast, opening night of A Chorus Line .

Favorite show tune: I love “The Story Goes on” (if sung well)… from Baby.

Least favorite word: No

Favorite play: I loved watching Take Me Out sometimes I can’t tell if I enjoy great direction and magical moments, or the writing better. It is GREAT when they are both present. This one had both!

Favorite musical: I absolutely ADORE Avenue Q!!!!!

Most played song on your iPod (or CD player): "Love is Gone" at the gym or running.

Last book you read: Eat, Love, Pray but I am currently reading Obama’s newest book The Audacity of Hope.

Sound or noise you love: Mommie!!! Being screamed by my daughter when I come home.

Must-see TV show: My husband and I love American Idol, but I haven’t had a chance to watch it this season due to rehearsal conflicts. My favorite show is Entourage.

Last good movie you saw: Juno, which was recommended by my friend Jacquie O’Connor. My husband and I were able to finagle a date during rehearsals and one of my Friday nights off we caught dinner and this movie. Made for a great date night. And again…I’m back to “cozy” and “good direction and writing” all in one evening. Nothing better, my friend, nothing better.

Sound or noise you hate: The word NO. I hate saying it and I HATE hearing it.

Worst job you ever had: Working for a man I didn’t respect at Northwestern Mutual Service with 9-5 hours.

First stage kiss: South Pacific in High School with former Richmonder R.L. Rowsey

Worst costume ever: There are worst designs and then there are one’s that just didn’t flatter. I think I’ll leave this one alone.

What turns you on (creatively, spiritually, emotionally)? Creatively would have to be “Yes, I think we can do that!” Spiritually would have to be when justice and harmony are present and make their energies known to the universe. Emotionally …is a little more difficult to describe, but I think it’s when I FEEL the presence of justice, harmony and/or love in a moment, because I think that gives us a glimmer into what GOD is all about.

No Clever Title Tonight- RD

Posted by Billy Christopher Maupin

Dawn holds to the philosophy that the more times you get to run the show the better. Which can be very frustrating early on, when the whole piece is a mess, as opposed to having one thing down really well, but at this point, it's really rather fantastic to have the whole show getting settled into our bodies, minds, voices, etc. Especially with the many, many, many costume changes (and some of them incredibly fast!). So glad to have Renee (our dresser) backstage along with a really terrific backstage team: Jason, Robert, Eddie, and another whose name I'm forgetting....arrrgh...I'll post it when I learn it! Shame on me!

Tonight after the very stop-and-start run (which included several new props, new blocking, choreography, vocal tracks, costume pieces and more) I believe Dawn referred to the "theatre goblins" attacking the show because so many things went awry in tonight's run. But the really cool thing is that IT'S ONLY TUESDAY!!! We have until Friday!

The show is in such great shape that it was probably incredibly helpful to have a really rough run to keep us on our toes. It's definitely coming to the time when everyone (or most) is getting nervous as the opening gets closer and closer with each passing moment (cue eerie music), but still for the most part, all of that is being navigated very gracefully. It's so fun to work with a group of such talented and kind people (and FUN!).

Oh, oh, oh. I would be totally amiss if I didn't mention that the costumes look FABULOUS! The sets are HUGE and FABULOUS! The lights are FABULOUS! The special effects are TRES FABULOUS!

Derek Dumais (sound engineer) helped us lay down some backup vocal tracks today, as we have a much more intimate-sized cast compared the the production in the Edinburgh Festival and also in the workshop (one of which, I believe had 26 people). So several of the cast members (David, Cathy, Gigi, Corey, and I) just recorded a couple of the numbers to boost the sound a bit. The tracks that Julie Fulcher (recently seen in A Christmas Story at Theatre IV and Smoke on the Mountain at Barksdale Theatre at Hanover Tavern) are FABULOUS! Oh, so beautiful!

Everyone involved has really poured themselves into this. Wendy Vandergrift and Bruce Rennie have been doing some awesome tech support. Ginnie Willard, pinch hitting as properties mistress, is doing some incredibly fast and FABULOUS work. All the carpenters and painters have built this HUGE (oh...already said that) set.

OK...I should stop. I'm really excited about the show. It's really gonna be a ton of fun for us once we're able to navigate all of our costumes, props, etc. And I'm really excited to see how it plays with an audience (ON FRIDAY!!!). I really think it's gonna be a FABULOUS show!

An Actor is...Excited!!!

Posted by Billy Christopher Maupin

So...I've been a bit absent in the rehearsal blogging, which I think I knew was going to happen when I started it. It has been CRAZY BUSY!!! The update:

Oh! I learned that a passerrelle is a real term (and spelled correctly here). It's used in nautical structures, as you can read about here. It's also a viaduct in Luxembourg City. The reason I was confused and thought it was a slang term created at the Empire is that during a production years ago, there were some young actors in the show and the music director's name was R. L. The passerrelle goes around the pit where R. L. was playing/conducting. So it was easy to remember as "pass R. L." How cute!

Also, I had a bit of change in my choreography for one of the songs. Read "a bit of a change" as "cut"! Dawn (director/choreographer, pictured to the right) and Cathy (her assistant) were so sweet about it. "We really need to have someone guarding RD (as we refer to the title character) so you're going to do that, while Cathy (who also plays Meredith, the miller's daughter, you know...the one that met Rumpelstiltskin all those years ago) dances your track in "Goody, Goody, Goody". " It was all fine, because I knew the first day we started choreographing the number that it was bound to happen, no matter how hard I tried. I've never tapped (as in dancing) in my life and this number is all about the tap steps. So now I get to follow around RD (played by Gigi, who you will be hearing from on the blog very shortly...which is such a joy, because she is absolutely terrific to work with- and...anyway...I'll save that for when I post her questionnaire).

I missed rehearsal on Tuesday and Wednesday because I was directed a staged reading in the Festival of New American Plays at the Firehouse Theatre Project. The piece I directed actually plays once more tomorrow night at 7:30 and features Tony Foley (recently seen in Theatre IV's production of A Christmas Story as the adult Ralphie), Melissa Johnston-Price, John Moon (who just finished directing the touring production of Buffalo Soldier - which is the only live production ever played at the Pentagon [pictured below to the right]), Jacob Pennington, Steve Freitas (currently rehearsing for the tour of Harriet Tubman and the Underground Railroad [pictured below to the left]), and Audrey Snyder (seen recently in Stuart Little and the two cabarets for First Fridays at the Empire). Jeanie Rule (Theatre IV's Arts in Education Manager was actually featured in the other play in the festival that showed on Thursday and tonight.

Back to Rumpelstiltskin's Daughter: So I missed two rehearsals, which was really frightening because Wednesday was "off-book" day. When I got back on Thursday that meant no script/score onstage and I made it to almost the end and had to pick it up for my beautiful song as the King's Father, which takes place in silhouette behind a very large picture frame. It's gonna be so cool!!!

We had our first tech run-through tonight, after the designers, techies, director had been there since I think 9 or 10 this morning. They are doing a really smashing job. You have to come check this stuff out. The opening of the show involves this (so cool!) kinetic imaging. That is only the beginning of the incredibly exciting technical elements of the show. But I'm not gonna give away all the surprises! (Not in just one blog anyway!) You really should check it out for yourself. (Especially because it's only a bit over an hour and full-price tickets are only $16! I mean, come on! Bring the kids...or not! It's gonna be a great time either way!)

So...I should wrap up I think! We didn't quite get through all of the show in tech tonight. OH! I have to give major kudos again to Dawn, the designers, and our backstage crew, since they had been there all day! Often directors are notoriously frightening during tech week, which can also be referred to as something else that I won't mention here. But Dawn (et al) were incredibly calm and wonderful! It was great!

Oh! And the playwright came down on Thursday night to watch the runthrough! But I'll save that for another posting.

So get your tickets! It opens Friday night at 7PM! Actually, as a little incentive, we're going to offer a blog discount. $10 tickets for any performance in the first weekend of the run! Just mention the blog! 344-8040 is the number to call! I'm so excited! It's gonna be great!

An Actor is...Tired

Posted by Billy Christopher Maupin

Just a quick update on rehearsals for Rumpelstiltskin's Daughter.

Wow! I'm exhausted!

We've gotten through the bulk of the script (I think). My brain is not firing on all cylinders. Last night at rehearsal...or was it the night before...I said something and had completely inverted two of the words in my sentence. Not as in the style of that controversial Star Wars character (i.e. "Do it again we should."), but more like "I'm really up picking not on that dance step." Or something of the likes.

Intense this is! We're doing a stumble-through tomorrow night of what we have so far. That means starting at the top and trying to make our way through until it falls apart, fix it, and keep going as far as we can.

I've somehow mananged to end up with script and music mixed together in two different binders in an attempt to be organized and now find myself completely lost. Frightening.

Oh! Speaking of frightening. The "passarelle" is this thing that extends out from the stage and circles around the pit (the lowered pit in front of the stage where an orchestra would be for a big musical). It's about four feet wide across the front and we're dancing(!) on these large "gold coins" ON THE "PASSARELLE!" (This term, I think, originated from some story as a joke and the spelling is rather nonexistent, but it sounds like it might be spelled like that.) It's really plenty of room and safe, but when you're dancing across it, it sometimes a bit daunting.

Ensemble work is incredibly difficult. I've acknowledged this for several years now and I'll say it here: There is a very different skill set required for ensemble work as opposed to principle work. It seemed that in college and even now that there exists this mentality that being in the ensemble means that you're "just in the chorus." So far from the truth. It is so much intense work and in such a teamwork kind of way, even more so than principle roles, I think. I'll try to come up with a better way to describe the difference between the two. All the cast is in the same boat (along with the director/choreographer, stage manager, designers, production team, etc.), but in the ensemble it's...I have no coherent way to describe it right now. I'll give it more thought and see what I come up with.

And there's so much more singing and dancing! So much to learn!

So here's my hat off to all the gypsies out there! You guys rock! I think after this show, I think I'm going to leave my hat off to the gypsies instead of trying to put their hat on. Whew!

OK...I'm going to try to get my binders meshed into one and figure out where I move when!

(Photos: 1. Matt James (Duke of Bonfire) in foreground, Dawn Westbrook (Director/ Choreographer) seated at table, David Janeski (Rumpelstiltskin) in the background; 2. Jar Jar Binks; 3. Maggie Roop (Lady Vennesse/Granny/Ensemble), Corey Davis (Lady Camilla/Ensemble) 4. Devin Richards from the recent Broadway revival of 110 in the Shade (and the Gypsy Robe winner from that production)

An Actor Is Still Preparing...

Posted by Billy Christopher Maupin

Rehearsals are now well underway for Rumpelstiltskin's Daughter with an absolutely hysterical cast. These people are so much fun and delicious to work with! Maggie Roop, Thomas E. Nowlin, and Corey Davis round out the ensemble as Granny, Lady Camilla, and the Blacksmith respectively, with my stunning (hahaha) turn as the King's Father at the end of the show.

We started learning the choreography for our big "tap number" last night. I have never in my life tapped. Well, maybe my fingers on my desk during chemistry class, but ya know! So some minor adjustments were made...and I was cut from the number. Just kidding! Dawn was amazingly kind and simplified a few steps and it's going to look fabulous! Cathy Motley-Fitch, our dance captain, gave me quite a bit of help during our break as well. A "time step"? Huh?! A welcome challenge!

I was talking to Jackie Jones (who plays the Queen Mother with this riotous Rosanne Barr-esque take on the role) who is quite quick to pick up these dance steps which until last night were completely foreign to me and she was very reassuring. This morning before I head off to work, I found this video in my email sent from my darling Jackie:


How cool is that! I love YouTube! It's such an invaluable source of research now! (You can also find the Theatre IV commercial on there. And the Barksdale Theatre commercial, where you can catch a glimpse of me having a blast laughing on the couch with Joe Pabst, seen as Lumiere in Theatre IV's production of Disney's Beauty and the Beast:)

So...back to work. More lines and songs to learn! And that shuffle and time step!

Shuffles and time steps! Oh my!

An Actor Prepares

Posted by Billy Christopher Maupin

And so begins the "behind the scenes" look at the rehearsal process...from an actor's point of view.

I've been cast in my first mainstage Theatre IV production! In Rumpelstiltskin's Daughter that runs January 25 - February 10. I'm thrilled. So I had this nifty idea.

Theatre IV's touring productions include a post-show Q&A. A lot of the questions that come from the students (and sometimes the parent and teachers as well) are about being an actor. One of my favorite questions...well...it was really a favorite answer...was on my very first tour with Theatre IV. This was when Theatre IV still had an arm (or a branch, if you must) in Cincinnati and I was touring in Paul Deiss' beautiful musical, The Song of Mulan. All five of us were brand new to touring and we were seeming to find our way quite nicely with some of the strange questions that would pop up from time to time. In one of the aforementioned question and answer sessions, a child asked, "How much do you get paid?" After what was probably a very brief pause that seemed much longer, I said "Qurell?" Our cast had no formal way of distributing the questions, but if one came up that was something that one actor generally answered or that one of us thought that individual would be particularly adept at answering, then we would "pass the ball" to them. I got a quick and outwardly congenial sideways glare from Qurell who prompty replied, "We do receive monetary compensation for our work. You there in the blue shirt." She moved so smoothly and swiftly on to the next child. In its telling, the story seems to be somewhat similar to a story that Jackie Jones (nee Goldberg) had told in her questionnaire blog. I'll have to revisit that.

But now I have ventured far from the path! It's so easy to do that when talking about experiences in the theatre!

My point (and I do have one. Ellen. Anybody?) is that this series of entries might be a bit of insight into an actor's process. A single actor- I should emphasize- as each has his or her own method or technique. I should also point out that, contrary to my "clever" title you will find no (at least concious) Stanislavski here. Perhaps very close to The Practical Handbook for the Actor, which is a fantastic (and on the top of my list) book about the craft of acting.

We had a readthrough with the cast, director, and designers earlier this month. The ideas that they are bringing to the table (literally) are awesome! My jaw was dropped more than once by these incredibly vivid and brilliant ideas!

For now, I sign off. Back to reading my script and working on my music. We have our first rehearsal the evening of January 2. Look for more to come!