Sunday, April 26, 2009

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The Sun'll Come Out ... Today!

Posted by Bruce Miller
Between December 2007 and March 2008, the Boards of Trustees, Phil and I made two big, proactive decisions. We scheduled the elimination of five positions from the staff of Barksdale/Theatre IV, and we announced three Depression Era plays/musicals for our upcoming seasons.

It may not have been clear to everyone at the time, but for those of us whose job it was to keep our eyes on the books on a day to day basis, the writing was on the wall.

The positions we eliminated amounted to approximately 11% of our total workforce. Like all RIF actions, these eliminations were painful. They continue to strain our operations.

The eliminations were also necessary. They reduced annual expenditures by approximately $140,000.

The five positions that were eliminated, two by attrition, included Associate Artistic Director, Special Projects Manager, Marketing Associate, Group Sales Manager, and Receptionist/Bookkeeping Associate. If and when the economy rebounds, we hope to be able to restore each of these sorely needed positions.

The shows we announced related to the Depression, but they were all upbeat and inspirational, and reflected the current zeitgeist. They were Barksdale’s productions of A Sanders Family Christmas at Hanover Tavern and This Wonderful Life at Willow Lawn, and Theatre IV’s production of Annie, which just opened on Friday at our historic Empire.

The public seems to appreciate our decision. These have been three of the four biggest hits of our 2008-09 Seasons (Driving Miss Daisy being the fourth).

Susie Haubenstock’s review of Annie appears in this morning’s Metro section. “In tough times,” the headline trumpets, “this musical is just what the doctor ordered.”

“Think that Annie is just for kids? The 1977 powerhouse musical by Thomas Meehan, Charles Strouse and Martin Charnin is a favorite of young audiences, surely, but rarely in history has it seemed so appropriate for older ones as well. Theatre IV’s current production is big and stylish and full of fun—and loaded with Depression-era nostalgia that’s all too pertinent today. But being Annie, the attitude is sunny, hopeful and positive—a real tonic for us veterans of bailouts and layoffs.”

“The story of those plucky orphans under the yoke of the tippling Miss Hannigan still works like a well-oiled machine. There’s a super-sized cast of 26 people and one irresistible dog, and a sumptuous scenic design by Mercedes Schaum. No skimping here. Robin Arthur’s direction hits just the right note—she’s an ace with the orphans, who are cute but never cloying, and her choreography (especially for ‘Easy Street’) is fresh and funny.”

Susie continues to praise the entire cast, the remaining designers, and the production as a whole.

So no matter what your age, if you need a lift from the recession-riddled headlines, trundle on down to the historic Empire and participate in Barksdale and Theatre IV’s own stimulus program. You’ll have a GREAT evening in the theatre, laugh and cheer, and help our nonprofit companies triumph, God willing, over this economy that continues to kick us in the shins.

We need you. Hope to see you at Annie, Well, I Ought to be in Pictures, and all our other upcoming productions.

--Bruce Miller

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Friday, April 24, 2009

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Training a Dog for the Theatre - ANNIE at the Empire

By Valerie Paul

Cody and Sarah Day play Sandy and Annie


Needless to say, training Cody for the role of Sandy in Annie was a bit different from training a dog for companionship. Sure, some things were the same. For instance, Cody had the same socialization that every dog should have and at a very young age. Yes, I have to correct Cody just like I would for any other dog. That, however, is about the extent of the similarities.

First I mentioned socialization. Cody had to be comfortable with new and exciting things. He had to learn that loud sounds, people, and bright lights were all ok. It really helps that my husband, Hans, is a carpenter. Cody learned that the sound of a saw was where he’d find Daddy, so that noise was ok. That made it easier to introduce new things.

Then the training came in. The biggest difference between Cody and companion dogs is that Cody has been trained using only hand signals (no vocal cues). This is both a plus and a minus. Dogs communicate via body language, so it’s easier for Cody to learn this way. However, I am unable to use my voice to reprimand him or get his attention when he’s distracted.

After that, we had to allow time for Cody and “Annie” (Sarah Day) to bond. Hans and I had to learn to ignore him while he was in the theatre, and let Sarah give him all the attention. This happened much faster than I expected. That dog loves Sarah. It’s great to watch them together.

All in all, it has been a fun experience working with Cody. We’ve had to make some adjustments to certain things due to scenery and lighting cues and whatnot, but overall it’s been great. Still, though, neither Cody nor I can wait for the day when the entire cast can love on him and the theatre is just a place to get petted and have treats!


ANNIE is on stage at the Empire Theatre in Richmond, VA through May 17, 2009. Tickets are selling quickly. Click here for more about Annie or to buy tickets.

Valerie Paul became interested in dogs when she was a young girl. She grew up with several dogs, mostly strays, and learned how dogs interact in many different situations. She recently attended North State Canine Academy in Sanford, North Carolina, where she received her Master Trainer Certification. While in Sanford, she worked with many different dogs with a variety of issues.

Valerie owns Impawsible Pups
in home training from puppy to advanced.

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Thursday, April 23, 2009

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First photos of ANNIE

ANNIE is selling quickly - opening weekend matinees (this Saturday and Sunday 4/25 and 4/26) are almost sold out!
Annie details
Annie tickets

Here are the first few photos. More to come!!
Photos by Aaron Sutten









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Friday, April 3, 2009

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Gordon Bass shaves his head to play Daddy Warbucks

ANNIE at the Empire Theatre
April 24 - May 17, 2009
More Info | Tickets

Dawn Westbrook shaves Gordon's head in the R.J. Tilley showroom

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