The Song (or Whatever) of Mulan

Original post by Bruce Miller on The Barksdale Buzz, 2/1/10

Every time I think of The Song of Mulan, I remember what happened eight years ago when we first contracted Paul Deiss to create the show for our touring operation. Schools were crying out for a fun way to support the new SOLs on ancient China, and the epic poem about the young girl who went to war to save her nation from the Mongol (Tartar) horde definitely fit the bill.

It had everything--an inspiring story that illuminates authentic history, a classic work of Chinese literature, and the name recognition that could come only from a recent Disney adaptation.

Paul wrote a beautiful script and score, and when the tour first went on the road, the Richmond Times-Dispatch covered the opening. This was back in the days when we could still get some ink for the arts. There was a beautiful color photo and a sizable caption, all surrounding a prominent headline that proudly proclaimed "Theatre IV Opens The Fish of Mulan."

That's what it said, my friends. We never knew why, but somehow someone in the newsroom changed the title of the play from The Song of Mulan (the actual title of the epic poem, sometimes translated as The Ballad of Mulan) to The Fish of Mulan.

It didn't matter. Then as now, all PR was good PR.

That first tour went so well under Susan Sanford's expert direction, that we soon commissioned Paul to expand his musical into two acts for a mainstage production. Susan again served as director/choreographer, and the show again earned raves from audiences, educators, and critics alike.

Mercedes Schaum created the magnificent sets; Jason Bishop designed a brigade of handsome, authentic costumes; and Steve Koehler worked his usual magic with lights. (Lynne Hartman takes on the lighting responsibilities this time out.)

Now that it's time to revive this Theatre IV favorite, how fortunate we are to have been able to reassemble several members of the original team. (In terms of costumes, Jason has moved to New York, but we have been able to retrieve all his original garments.) Susan Sanford long ago moved to Los Angeles to pursue new career opportunities with her husband, Foster Solomon. But thanks to funding from the Louise Moon Fund, we were able to bring her back to town--a blessing for one and all.

The Louise Moon Fund was created in the late 1990s, shortly before Mrs. Moon died. Throughout her life, she had been a great supporter of the arts. She was on the founding committee of the Richmond Symphony, and she had a long history of support for both Theatre IV and Barksdale.

Before our two nonprofit companies began our strategic partnership in 2001, we worked together to establish the Louise Moon Fund in Mrs. Moon's honor. The fund enabled Barksdale and Theatre IV to bring back to Richmond outstanding theatre artists who had moved on to larger markets. Mrs. Moon had fallen in love this idea after we brought her son, John, back from NYC following his earning his masters in directing from Columbia and his subsequent work with Joseph Papp's Public Theatre.

Susan is only the most recent artist to return due in part to the largesse of Mrs. Moon and her friends.

We have a great new cast for Mulan this year. The titular role is played by Yvonne Samé, recently from the cast of The 25th Annual Putnam County Spelling Bee. Her mother and father are played by Hannah Zold and Jason Marks. Mulan's romantic interest is portrayed by Chris Stewart. Lucas Hall, Audra Honaker, Paul Major and Durron Tyre all provide admirable support in a variety of roles.

If you haven't been out to see this wonderful show, please head on down to Theatre IV's historic Empire Theatre. We'd love to have you join us on our return visit to all the wonders of ancient China.

[ADDITION 2/3/10: Thanks to Steve Koehler and Susan Sanford for politely correcting a mistake I made in the original post. Steve designed the wonderful lights for our first Mulan, and Lynne designed the current revival. One of my favorite lighting moments, which I remember vividly from the first production, is the lighting of the yellow river, where both the painted river and the "live" silk river absolutely glow. Thanks to both Steve and Lynne for the two different productions.]

Just for Fun

Three of the cast members from The Song of Mulan (Jason Marks, Christopher Stewart and Hannah Zold) chose to creatively express their frustrations of having been able to present only one public performance during the run of the show (they also had one show just for elementary students). After all the cancellations, only FIVE performances remain -- one Friday night, three on Saturday, and one Sunday performance. Check out the video, and check out Mulan before it becomes the stuff of legend! ---oh, wait....

Click to view The Snow of Mulan

NOTE: You have to sign in to Facebook to view the video.

Perfect Showbiz Moment

By Scott Wichmann

NEW - Listen to Scott talk about Guys and Dolls on B103 FM.
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I was sitting backstage during this afternoon’s rehearsal for Barksdale Theatre's Guys and Dolls and I had a perfect ‘Showbiz’ moment, and I became impelled to reflect on my good fortune as a performer.

As I sat on a step unit in the wings just off stage right, I began to think about the historic Empire Theatre and how many performers it has been home to through the years. I thought, This old vaudeville house sure has seen its share of magic. What a tradition!!

To be a small part of that tradition is a joyous and humbling thing.

I glanced around and saw actors running lines by themselves, possessed of that slightly ‘crazy’ look, evidenced by the downward-directed muttering that we all do when we’re trying ever-so-diligently to whisper our lines letter-perfect.

Our Director, Patti D’Beck, stood in the front row of the audience, commiserating with our Stage Manager, Wendy Vandergrift, as they went over the blueprint for the set design. Wendy was probably saying what I’ve heard her say about a trillion times: We Can Do That. When she says it, she means it.

Our Musical Director, Sandy Dacus was wrapped up warmly in a cute little knit sweater as she played one of the duets for Sky and Sarah on a portable keyboard. Every now and then she’d pop a cookie into her mouth without missing a note.

As Rita Markova’s incredible singing of ‘I’ll Know’ was giving me goosebumps, I scanned the theatre some more.

I looked over to see the dance ensemble running through their choreography in the adjacent wing. Some were spinning, some were watching the action onstage. Even when they are at rest, they look graceful, I thought.

Our ‘Harry The Horse,’ John Winn, was sitting by the stage door, reading a newspaper, dressed in shorts, a T-shirt and a fedora. Two of our walking wounded, Jason Marks and Landon Nagel—one battling severe laryngitis and the other a recent arm injury—were chuckling about something mischievously while running lines together. Great, I thought, Nicely-Nicely can’t talk and Benny can’t move!! What a pair!!

Almost everywhere I looked, I saw smiles. I saw people getting to know one another. I saw friendships blossom and rare talent on display. And not an ‘ego’ in sight.

I looked out into the audience--where a few more cast members were amiably chatting and getting to know one another-- past the tech table, up into the balcony to the vast, welcoming expanse of what is truly one of Richmond’s treasures.

And I felt incredibly lucky.

Lucky to be around such great people. Lucky to be working for a class organization in a historic setting on one of the greatest of All-American musicals. And lucky to be making new friends while doing what I love most in all the world.

This group is a really fun bunch. They make me laugh. I always leave rehearsal smiling. And we’ve only really been around each other a few weeks. I’m really looking forward to this run and the time I’ll spend with my new ‘Summer Family.’

I cannot accurately describe the amount of talent, energy and enthusiasm being infused into this project. You’ll simply have to see it for yourself. Come spend some time with the cast of Guys and Dolls at The Empire Theatre this summer. I can guarantee that, you too, will have a perfect ‘Showbiz moment.’ More I cannot wish you.

-Scott Wichmann

Theatre IV Subscribers get an $11 discount off each ticket to Barksdale's Guys and Dolls.

Read more from Scott at his blog, www.scottwichmann.blogspot.com