Theatre IV Blog

Poetry Out Loud State Final 2011

2011-03-22T15:26:00.001-04:00

Thank you, Virginia's 2011 Poetry Out Loud: National Recitation Contest participating teachers and high school students! This year 227 teachers and 8,653 high school students participated in Poetry Out Loud holding recitation contests in their classrooms, schools and advancing their school champion to the regional contests throughout the commonwealth.

Of the 76 school champions competing in the regional contests, 16 regional finalists advanced to the State Finals in Richmond at Theatre IV's historic Empire Theatre on March 17, 2011. After three rounds of poetry recitation, Carol V. Decker of Tuscaroara High School in Leesburg, Loudoun County was declared the highest scoring student and Virginia's 2011 Poetry Out Loud State Champion. Colleen Murphy of William Monroe High School in Greene County was declared State Runner-Up.

The National Endowment for the Arts and the Poetry Foundation, partners with state arts agencies across the nation to support Poetry Out Loud. The contest serves 350,000 students throughout the nation. Poetry Out Loud encourages the nation's youth to learn about great poetry through memorization and recitation and helps students master public speaking skills, build self-confidence, and learn about their literary heritage. Here in Virginia, the Virginia Commission for the Arts, Peggy J. Baggett, Executive Director sponsors the contest. Theatre IV and Barksdale Theatre are proud to be the administrator of this program throughout Virginia.

Back to School = Back to FUN!

2010-08-25T12:25:00.057-04:00

If your kids are singing the Back-t0-School Blues, let them know there are plenty of things to look forward to between now and next spring, like field trips to Theatre IV's Broadway for Families shows at the Empire Theatre and Willow Lawn and in-school performances from Theatre IV On Tour!

Our Broadway for Families season at the Empire Theatre and Willow Lawn kicks off October 1st with the familiar favorite, Ferdinand the Bull, based on the book by Munro Leaf and Robert Lawson. This bilingual family musical is part of our Hispanic Theatre Project and runs through October 17th. (Illustration by Theodore Taylor)

Other productions in our Broadway for Families season include The Velveteen Rabbit (at Willow Lawn), The B.F.G. (at the Empire) and HONK! (at the Empire). Theatre IV is also offering a special holiday option, Irving Berlin's White Christmas (at the Empire). Tickets can be purchased by calling one of our friendly box office staff at (804) 282-2620 or online at www.theatreivrichmond.org.

Odds are good that Theatre IV On Tour is coming to your child's school! Titles on the road Fall semester include Lyle, Lyle Crocodile, Home Sweet Homer, The Little Red Hen: A Country Musical, Patchwork: The Little House Life of Laura Ingalls Wilder, The Legend of Sleepy Hollow, and Hugs and Kisses.

All our Theatre IV On Tour productions correlate to Virginia Standards of Learning, providing educators with an alternative teaching method to reinforce classroom lessons in English, Science, History and Family Life. And best of all, the kids (and teachers) have a great time!

We encourage parents to attend in-school performances (subject to school approval). If you would like to know if Theatre IV is coming to your child's school, contact our Tour Department at (804) 783-1688 and ask for Jeanie Rule.

Who knew going back to school could be so FUN? (We did!)

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Theatre IV Accomplishments

2010-07-01T10:52:00.034-04:00

Yesterday marked the end of the 2009-10 season. Theatre IV had a remarkable year and we wanted to share the following accomplishments with you. Keep in mind, all of these activities were achieved while maintaining a balanced annual operating budget in a very economically challenging year!

This season, Theatre IV:

Produced and presented 129 performances of six plays and musicals on our mainstage Broadway for Families Season in our historic Empire Theatre. These mainstage productions received excellent reviews from the critics, and were well attended by 42,140 children, parents and teachers.

In partnership with Prevent Child Abuse Virginia, produced and presented 175 touring performances of Hugs and Kisses, Virginia’s principal child sexual abuse prevention program. The 2009-2010 tour was seen by 56,269 children in 127 schools spread out over every region of the state. One hundred and eleven (111) children were referred to the Virginia Department of Social Services based on post-performance disclosures. An additional 661 children came forward following the performance to ask pertinent questions.

Produced and presented 16 additional SOL-aligned instructional programs, including Ben Franklin and His Kite, The Boy Who Cried “Wolf!”, Buffalo Soldier, A Christmas Carol, Harriet Tubman and the Underground Railroad, I Have a Dream – The Life and Times of Dr. Martin Luther King Jr., The Jungle Book, The Legend of Sleepy Hollow, Lyle Lyle Crocodile, Patchwork – The Little House Life of Laura Ingalls Wilder, The Shoemaker and the Elves, Snow White and the Seven Dwarfs, Sojourner Truth, The True Story of Pocahontas, ‘Twas the Night Before Christmas, and The Velveteen Rabbit. We staged 804 performances of thes e programs live before 291,281 Virginia students in 257 Virginia schools and venues. These same touring shows were performed live before an additional 295,304 students who saw the touring shows in 468 performances in 31 additional states and the District of Columbia.

With CenterStage, the Latin Ballet of Virginia, Richmond Public Schools, Chesterfield Public Schools, and Henrico Public Schools, launched the FIELD Project (Family Involvement in Early Literacy Development), addressing the reading deficits faced by economically disadvantaged students in Central Virginia’s pre-school programs. We are the lead administrator and controller of FIELD.

As a part of our partnership with Richmond Public Schools in t he Kennedy Center’s national arts-in-education program, Performing Arts Centers and Schools, produced and presented three continuing education workshops with a total of 46 teachers. The three workshops were: “Beyond the Wiz—The Multi-Faceted History of African American Theatre,” “What It Takes to Produce a Musical,” and “Using The Sound of Music to Teach the Holocaust” (co-produced with the Holocaust Museum).

Through our Tickets for Kids program, made free tickets available to 2,345 economically disadvantaged children in Greater Richmond. Our 2009-2010 partners included 64 local nonprofits including Art 180, Association for the Support of Children with Cancer, Big Brothers Big Sisters, Children’s Hospital, Dominion School for Autism, Flagler Home at St. Joseph’s Villa, Friends Association for Children, Garfield Childs Memorial Fund, Hospital Hospitality House, International Hospital for Children, Massey Cancer Center Children’s Ward, Richmond Area Association for Retarded Children, Ronald McDonald House, Sacred Heart Center, Salvation Army, STEP, United Methodist Family Services, Very Special Arts Virginia, Virginia Home for Boys, William Byrd Community House, and Whitcomb Court Community Center.
With our holiday mascot, Snow Bear, provided free-of-charge entertainment for the annual Christmas party at the Children’s Hospital. Snow Bear also participated in numerous community events during the holiday season.

With St. Andrew’s School, presented our fourth year of after-school instruction for economically disadvantaged fourth and fifth graders, this year working in partnership with SPARC for the first time.

With Barksdale, implemented our annual Stage Explorers Summer Day Camp, serving 117 children over a six-week period.

Staged the 13^th Annual Fairy Tale Ball, Richmond’s only family gala, entertaining 703 children, parents and grandparents while raising funds for our outreach programs.

Participated as full partners in the Acts of Faith Festival and Minds Wide Open: Virginia Celebrates Women in the Arts.

Working in partnership with the Virginia Commission for the Arts and the National Endowment for the Arts, managed Virginia’s statewide Poetry Out Loud national recitation contest. Virginia’s winner was among the top nine finalists nationally.

Hosted our “Search for the Von Trapp Children” open auditions at Short Pump Town Center for our production of The Sound of Music. Over 300 children and their parents came out and 200 more were placed on a waiting list. All parents and auditionees were given free tickets to a Theatre IV mainstage performance.

With Commonwealth Girl Scouts, hosted four theatre overnights and/or learning days in the historic Empire, providing workshops and performances necessary for 208 girls to earn their theatre badges.

With CenterStage, participated in and loaned sound equipment for the Grand Opening, We also offered leadership, master classes, workshops and performances for Lights Up! CenterStage’s Open House for Young Artists.

Volunteered staff and their time for 14 Career Days events in and around Richmond.

Provided 356 free tickets to charity auctions throughout Greater Richmond.

Owned, operated and maintained the historic Empire Theatre on behalf of the greater community, sharing the facility, often free of charge, with eight other nonprofit groups.

None of these accomplishments would have been possible without the patronage, advocacy and financial support of our theatre family. So go ahead, reach around and pat yourselves on the back, because these accomplishments belong to you!

HERE'S TO A STELLAR 2010-11 SEASON!

The Sound of Education

2010-05-26T13:02:00.008-04:00

Originally posted by Bruce Miller on The Barksdale Buzz 5/25/10

Chase Kniffen (director and choreographer of The Sound of Music [TSOM]), Brian Barker (set designer, TSOM), Janine Serresseque (Barksdale's liaison with Richmond Public Schools [RPS]), and I had the wonderful opportunity of conducting an after-school Educator Training Workshop last week with a dozen or so teachers from RPS. The workshop was organized and facilitated by Susan Damron, theatre resource teacher in the RPS Arts & Humanities Center.

For the last eleven years, Theatre IV and RPS have partnered as Central Virginia's only affiliate of the Kennedy Center's prestigious Performing Arts Centers and Schools program. Through this national arts-in-education initiative, we present workshops that train teachers how to use the arts to enhance instruction across the curriculum at all grade levels. Teachers receive continuing education credits for their participation.

About half of the workshops involve master educators from the Kennedy Center's roster of the nation's best arts-in-education specialists. These days, about half of the workshops are developed here in Richmond by Susan Damron and various artists and educators from Theatre IV.

Earlier this year, we created a workshop entitled Beyond the Wiz. In response to teacher requests, the goal was to enable educators with no expertise in theatre--with the exception of George Wythe, RPS middle and high schools have no drama teachers--to learn where and how to look for plays that feature African American casts and themes but have little name recognition among the general public.

We assembled a panel comprised of Dr. Tawnya Pettiford-Wates from VCU (director, The Grapes of Wrath), April Jones - guest theatre artist at the University of Richmond, Derome Scott Smith - Artistic Director, African American Repertory Theatre (director, Black Nativity), and me. Together we discussed the history of African American theatre in the United States, and explored a large number of plays that have had successful revivals with African American casts even if they were not originally written from an African American perspective.

Each participating teacher left with a new appreciation for the wealth of material out there, an expanded knowledge of where to search for new titles, and an understanding of how to obtain reading copies of less well known scripts.

The subject of last week's workshop was Creating the Team Needed to Produce a Musical. Using The Sound of Music as our case study, I spoke about assembling the lead artists, Chase talked about how the director works with the stage manager and designers to move the process forward, Janine (who works overhire in our costume department) spoke about the various steps followed to create the costumes for a show, and Brian dazzled the crowd with his models and computer work, ably revealing how a designer in 2010 can use technology to more effectively communicate with the rest of the production team.

Throughout the entire workshop, we provided tips on how to create a musical on a budget--a subject near and dear to the educators' hearts and pocketbooks.

This afternoon, I will be accompanying the teachers on a tour of the Holocaust Museum. Again we will use TSOM as our case study, and discuss how to use theatre to enhance instruction across the curriculum by showing how TSOM is being used throughout Greater Richmond's school systems to teach the history of WWII.

This Friday evening, the teachers who have been participating in this workshop series will all come to see The Sound of Music, and take a behind-the-scenes tour after the show.

For decades, education has been at the heart of our work at Theatre IV and Barksdale. As early winners of the Excellence in Arts Instruction Award from the Virginia Dept of Education and the Virginia Commission for the Arts, we're proud to be a valued partner with public and private school systems throughout the Commonwealth.

Hope to see you (and the students in your life) at the theatre!

--Bruce Miller

Great reviews for The Sound of Music

2010-05-19T14:40:00.012-04:00

Opening weekend of The Sound of Music included some rave reviews in the press:

"An unfogettable evening of theatre!
Climb every mountain if you have to,
but don’t miss it.!"
- John Porter, NPR on WCVE - read a transcript

"The perfect family summer musical!"
- Susan Haubenstock
Richmond Times-Dispatch

“The Sound of Music is the perfect
family entertainment!"
- Joan Tupponce, WCVE - read a transcript

photos by Aaron Sutten

The Sound of Music
on stage now at the historic Empire Theatre
More information

Come one, come all to the Fairy Tale Ball!

2010-05-17T11:54:00.019-04:00

This year's Fairy Tale Ball has come and gone but folks are still buzzing about this magical event combining families, food and fun.

The theme, Adventures in the Alps, corresponded to Theatre IV's Broadway for Families season finale, Rodgers & Hammerstein's The Sound of Music (which, by the way, got a rave in Sunday's RTD, check it out! And check out the Von Trapp children & Maria at right).

The Empire Theatre was alive with the sound of cute kids and glam grown-ups at Theatre IV's signature family gala event on May 1st. Many were overheard saying this year's ball was "the best one yet!"

The 13th annual ball netted over 30% more for Theatre IV's educational programs than last year's ball. This translates to more opportunities for more economically disadvantaged children and families in Central Virginia.

"Glückwünsche!" (congratulations) to Fairy Tale Ball Chair Caroline Harding and her wonderful committee, Special Events Manager Jennings Whiteway and her assistant Jessica Dennis, and all the hard-working staff and volunteers who made this event an evening to remember!

And special thanks to Robyn O'Neill for taking such beautiful photos!

See ya next year!

Intern Insights: Lamitra Barnes

2010-04-08T10:30:00.013-04:00

The following was written by Theatre IV/Barksdale intern extraordinaire, Lamitra Barnes:

As I entered my senior year of high school, I realized that I needed to find an internship at a local theatre because I will be attending college as a potential theatre major in the fall of 2010. I currently attend Open High school, an academic based school on southside Richmond, where volunteer opportunities are highly encouraged. I began interning at Theatre IV and Barksdale in the fall of 2009 every Wednesday afternoon, where Ms. Janine Sears took me under her wing to make sure that I had a chance to work with most of the staff.

I had a chance to see shows during my internship such as The 25th Annual Putnam County Spelling Bee and The Grapes of Wrath. Before seeing them, I had seen a few Virginia Commonwealth University plays, but not any professional plays such as those. They were great plays to watch because they were contrasting of one another and gave me two different aspects of how a show in a theatre is presented.

I also had the privilege to watch a rehearsal for the touring production I Have a Dream. When I sat there taking notes and watching the actors rehearse, I pictured myself in their shoes one day. I learned many things from the actors by watching them take direction from John Moon.

Barksdale and Theatre IV gave me the chance to not just work with actors but to also work with those who are behind the scenes. Before I got here, I didn’t have a single interest in technical theatre but my mind has changed completely.

I worked with the Director of Costumes Sue Griffin, and her associates Sarah Grady and Lynn West, who are all amazing people. They took time out of their busy schedules to show me how to help create some of the costumes for upcoming shows.

Costume designers were not the only designers that I had the chance to shadow. I also had the opportunity to work with Master Electrician Matt Landwehr. He stood at my side and helped me understand the lighting chart that was far more complicated than it appeared.

Finally, I saw how the sets are created for shows by working with Master Scenic Artist Adam Dorland and Props Master Becky Arney. They provided good instructions on exactly what they wanted done and they encouraged me that I could do it even if I didn’t have former experience in painting backdrops or props.

They all have one thing in common and that is their outgoing humorous personalities!

The technical work was interesting but I also had the chance to work at Theatre IV’s marketing and the administrative offices. I worked with Director of Marketing Sara Marsden. She was delighted for me to help her because there are tons of tasks that the marketing department has to complete such as sending brochures to the households of thousands of people and keeping files of all of the actors. I was thrilled to help her plow through the enormous amount of work.

In the administrative office, I worked and had conversations with all of the smiling faces such as Tracy Coogle, Lucas Hall, and Janine Sears. I sorted checks, filed papers, entered dates on Microsoft Excel and made copies for the administrative staff.

Even though my internship is about to reach its conclusion as I will be graduating from high school and entering college, it has been a pleasure to receive this everlasting experience. I don’t know many high school students that have been able to receive an internship in their field, but I was one of the lucky ones and I wouldn’t have traded this for world. I learned a lot from everyone that works here by observing, listening, and conversation. I was able to practice my networking skills at Barksdale and Theatre IV because everyone here is very intelligent and always happy to answer questions. I would like to give special thanks to Mrs. Susan Damron and Ms. Janine Sears who made all of this possible. Thank you Barksdale and Theatre IV!

Thank you for helping to save VCA

2010-03-17T13:07:00.007-04:00

For those who haven't heard the recent buzz regarding the outcome of the state budget, the Virginia Commission for the Arts has been spared. The original House bill proposed 50% cuts to VCA in FY11 and total elimination in FY12. The conference committee was able to reach a much more reasonable compromise over the weekend, resulting in a 16.4% cut to VCA. This is in addition to the 30% in cuts VCA previously endured, but is still a huge victory compared to the potential elimination of our state arts agency.

The economy has a long way to go before nonprofit arts organizations return to their pre-recession capacity, but the fact that VCA has been spared is promising news. Why did legislators have a sudden change of heart? There is no question that, politics aside, the public outcry in support of the arts played a significant role in preserving the Commission for the Arts. To everyone who called, visited, wrote a letter or sent an email - THANK YOU! Your efforts truly made a difference.

Theatre IV Has a Hit!

2010-03-16T22:38:00.010-04:00

Original post by Billy Christopher Maupin on The Barksdale Buzz 3/15/2010

It looks like Theatre IV has a huge hit on its hands with the reunion of the original 1988 cast (Gordon Bass, Larry Cook, Jenny Hundley, Jacqueline Jones, and Debra Wagoner) of Jack and the Beanstalk (Book and Lyrics by Douglas Jones; Music by Ron Barnett). The production began student matinee performances on Tuesday of last week and had its official opening Friday night to an incredibly responsive house. Here are a few of the quotes we'll be pulling from Susan Haubenstock's review in Sunday's Richmond Times-Dispatch:

"...playwright Douglas Jones rings an ingenious change on
the much-loved fairy tale"

"wild version of the familiar yarn,
more fun and fanciful than the original"

"While the kids in the audience giggle at the silliness, adults can enjoy razor-sharp performances by the actors"

"light and funny" "cheerful" "playful and snappy"

And also Kate Hall with RichmondMom.com rang in with a thrilling review last night. A few quotes:

"both adults and kiddos were swept into Jack’s playful, imaginary world"

"a fabulous way to spend an afternoon"

"a must-see for Richmond families who want a great

laugh and to create a memory together"

Tickets really are selling fast! So fast, that a performance was added to the final day, even before the show opened! Get yours today!

See you at the theatre!

(Photos on the left side of the page are from the 1988 production [Photos by Eric Dobbs]; photos on the right side are from the currently running 2010 production [Photos by Aaron Sutten].)

Part C: Replacing Brahms with Wayne and Underwood, or "Vox Populi, Take the Wheel"

2010-03-07T11:34:00.005-05:00

Original post by Bruce Miller on The Barksdale Buzz 3/7/10

If this is your first look at my three-part blog response to A. Barton Hinkle's Op/Ed piece, Picking Apart Arguments for Funding the Arts, published in Friday's (March 5) Times-Dispatch, you may want to scroll down and read Parts A and B first. I would provide a link to Hinkle's original dissection, but I can't locate Picking Apart ... on the Times-Dispatch website. I found the other two Op/Ed pieces that shared a page with Hinkle, but his piece isn't there, at least not as of this writing. If anyone can find it, please provide the web address in a comment. Thanks.

As he gleefully "picks apart" the statements of those of us who believe it would be unwise for Virginia to become the first state in the nation to eliminate its arts commission, as recommended by the Virginia House of Delegates, Hinkle states: "Some arts advocates also imply that the arts in Virginia will disappear without state support. There is no denying that some arts organizations will suffer and might even fold. But it is simply not true that closing the VCA would mean the end of drama, the end of symphony music, the end of gallery exhibits in the Old Dominion."

"Some with a soft spot for Brahms and Bryars, for Tallis and Telemann, may be inclined to snicker at the indulgence which confers the name of artist on the likes of Lil Wayne or Carrie Underwood. But a heart moved by pop music is moved no less because the music enjoys commercial success (all the more reason to doubt claims that shutting the VCA will leave Virginians stranded in a world bereft of uplift)."

So there it is. Hinkle is telling us that eliminating all arts funding from the state budget may bring about the demise of arts institutions that generations of Virginians have dedicated their lives to building. But so what? We'll always have pop culture. Seriously. Hinkle reassures by asserting his belief that there's no real difference between Brahms and Telemann, Lil Wayne and Carrie Underwood.

Are you scared yet?

"This touches on another difficulty," Hinkle continues, "namely the tension between artistic merit and latitudinarianism."

All right. I had to look it up too. Latitudinarianism means "holding or expressing broad or tolerant views, especially in religious matters."

In other words, in the gospel according to Hinkle (and you'll find the same in the playbook of many social conservatives), there is tension between artistic elitists (that's you and me, friends) and our pop culture brethren who express their "broad and tolerant" views by embracing rap music and American Idol.

Call me crazy, but I don't feel the tension.

I admit I'm not into rap, but some of my best friends are. I caught most episodes of Simon and Paula last season, and I've always thought Carrie Underwood was cute as a bug. The first time I heard her heartfelt rendition of Jesus Take the Wheel, it brought a tear to my eye. Seriously. I like that song a lot. As anyone will tell you, I'm as corny as Kansas in August, I cry unapologetically at Hallmark commercials, and I teach Sunday School to boot.

I also subscribe to a dogma that has been passed on to me by my parents and teachers from first grade forward. It's a firm belief, a way of living that I'm also trying to pass on to my own children. And that's where Hinkle nails me.

The dogma says this. There is a unique value to great art. Contemporary society has the wonderful opportunity (obligation?) to benefit from and enjoy the classic works of Beethoven, Rostand, Petipa and Benoist, as well as more contemporary masters like Bartók, Nottage, Bausch and Bearden. It is only through the preservation and presentation of great art from the past that we can truly discover, develop, celebrate and pass on to our children the great artists of our present.

The noble work of the nonprofit arts sector is not to dwell on or live in the past, but it is to offer and entertain new perspectives on great work, should that work be a product of the previous week or the previous century. If we don't, if we as a society rely solely on the more accessible delights of the popular and commercial, we will be failing our responsibility to our children and our heritage, to history and world culture.

That brings us to the core of the ideological argument.

"The demand by the anointed for continued favoritism," Hinkle proffers, "is not necessarily ennobled just because it is dolled up in gauzy sentiment." In other words, I can write these blogs till I'm blue in the face, but it doesn't matter. We can dress up our art all we want, friends, but we can't take it out to dinner.

And when we do dare to ask, plead for, demand our seat at the table, Hinkle suggests, the populists who think that Lil Wayne is all that and a bag of chips have every good reason to drive us back into our ivory towers and cut off the funding that allows us to survive.

A. Barton Hinkle is entitled to his opinion. So am I. It's time to take sides. Which side are you on?

During this statewide debate that will probably last the rest of my lifetime, if we allow ourselves to be overcome by fatique, fear or frustration, and throw our hands up and off the wheel, who's going to drive?

--Bruce Miller

Photo Subjects (top to bottom): Carrie Underwood, Ludwig van Beethoven, Edmund Rostand, Marius Petipa, Marie-Guillemine Benoist, Bela Bartok, Lynn Nottage, Pina Bausch, Romare Bearden, Lil Wayne

Part B: Rolls-Royce and “a Medicaid Patient’s Physical Agony"

2010-03-07T00:32:00.002-05:00

Original Post by Bruce Miller on The Barksdale Buzz 3/6/10

After trying to compare, illogically, the arts to scouts, grocery stores, newspapers and places of worship in yesterday's Times-Dispatch (see my previous post, Taking On Those Who Buy Ink by the Barrel - Part A), A. Barton Hinkle moves on to pick apart the argument offered by those who believe that arts funding should stay in the state budget because of the jobs that such funding makes possible.

"Any entity that employs people provides jobs by definition," he states, "and might be said to contribute to the economic vitality of a community. If that is the standard upon which we justify state funding, then there is very little in the commonwealth that would not qualify."

This argument is gratuitous, and Hinkle knows it. He fails to mention the tens of millions that the state spends each year to create jobs in Virginia and to support the creation and sustenance of small businesses. He asks his readers to compare the nonprofit arts industry to Virginia's thriving for-profit businesses, rather than to the new and/or struggling businesses that receive state support, or the libraries and parks that are the more appropriate comparison.

Here's one specific example. Rolls-Royce is certainly a thriving for-profit business. Yet they successfully made the argument to the Virginia legislature that they needed state support if they were to build a new aircraft engine production plant in Prince George County, about 25 miles southwest of Richmond. In fact, the commonwealth put together a $56.8 million incentive package to lure Rolls-Royce to our state, and no arts-eliminator even suggests that a penny of that package be cut from this year's budget.

For the record, I think the legislature was wise to negotiate this funding, and is wise to keep it in tact. Economic development is vitally important. As Hugh Keogh, CEO of the Virginia Chamber of Commerce told the Times-Dispatch, "If you're going to play in the big leagues, you're going to have to come to the field with more than your glove. Virginia has learned that over the past 15 years."

But if you're pro-economic development, and what reasonable person isn't, how can you scoff at spending a measly $4.4 million to support the 20,000 jobs made possible by the Virginia Commission for the Arts while embracing the spending of $56.8 million to support the 140 jobs that Rolls-Royce has promised?

In today's competitive environment, it's sound business practice to offer incentives to lure successful businesses to Virginia. If Virginia didn't do it, we'd lose employers to other neighboring states. Rolls-Royce plans to begin hiring 140 workers now, but they hope to build their eventual work force to 500 Virginians. Still, why exactly does Hinkle think the 140 to 500 Rolls-Royce jobs matter, and the 20,000 VCA-enabled jobs don't?

Perhaps he is uninformed. Perhaps he hasn't interviewed any arts leaders, and so he has no idea that our leading arts organizations are routinely wooed by other states that would be all too happy were we to relocate our jobs to their jurisdictions.

As one example, Theatre IV tours nationally to about 32 states each year. This tour generates just over $1 million in out-of-state revenue that comes back to Virginia, and is spent by our nonprofit company to pay Virginia salaries and rents, and to buy Virginia goods and services. The Maryland Arts Council has on several occasions mentioned that they would like for Theatre IV to consider relocating its national tour to their state. As incentive, Maryland and its localities contribute to nonprofit arts organizations approximately 15% of their expenditures. Were we to move our HQ to Maryland, our $1 million in national tour revenue would likely be matched by $150,000 in state and local funds. In Virginia, our national tour revenue receives zero dollars in state support.

Theatre IV has no desire to move to Maryland. Make no mistake, our HOME is here. But if the Virginia Commission for the Arts is eliminated, costing Theatre IV the approximately $95,000 that we now receive in support of the touring instructional programs we present in about 600 Virginia schools each year, we would be idiots not to consider the viability of a move north. With his disregard for Virginia arts jobs, Hinkle may not care. But I suspect there are plenty of other Virginians who would consider the loss of the nation's second largest children's theatre to be a devastating consequence of ill-advised legislation.

Hinkle continues with the manipulative and deplorable tactic of comparing arts funding to the help needed by "a Medicaid patient's physical agony" and "a teenager with severe psychiatric problems (who) can no longer lead a semi-normal life because (the state) has chosen to fund a ballet instead?"

Friends, there is not a single artist I know who is arguing that the arts are more important than health care or mental health. Hinkle and his buddies are making up this hogwash. We cannot let the ideologues fabricate OUR side of the debate and then put it out there in the press as if we actually said it. It may be their intention to make us look self-serving and ridiculous, but we shouldn't sit quietly by and let them do it.

The point is not that anyone believes the arts are more important than helping those in need. The point is that cutting VCA funding will hurt the state budget, not help it. As I've said before, if you want more money to support the worthy causes that the state is honor-bound to fund, then argue in favor of funding the VCA. It's an economic development argument, not a matter of either / or.

The case we are making for state funding is sound. Please read my previous blog post, The REAL Case for the Arts in VA (Feb. 25, 2010). When these arguments are not taken seriously, and preposterous arguments are put in their place, the debate is no longer worthy of respect. It is politics, pure and simple.

Coming tomorrow – Part C: Replacing Brahms with Wayne and Underwood, or "Vox Populi, Take the Wheel"

--Bruce Miller

Taking on Those Who Buy Ink by the Barrel - Part A

2010-03-05T18:13:00.004-05:00

Original post by Bruce Miller on The Barksdale Buzz 3/5/10

A. Barton Hinkle's Op/Ed piece in this morning's Times-Dispatch (Picking Apart Arguments for Funding the Arts) is a classic example of how ideology can trump rational thought and respectful debate. I often hold Mr. Hinkle's editorial writing in high regard because he usually builds his arguments on facts. In this case, as he joins the chorus seeking to eliminate the Virginia Commission for the Arts (VCA), he is either unaware of the facts or he chooses to ignore them.

I appreciate his mentioning that my friend Phil Whiteway "scores a nice point when he notes that politicians are quite happy to trot out the arts ... when trying to court Fortune 500 companies," although Phil's comments were more respectful and serious than A. Barton's condensation.

But Hinkle goes on to say "stripped of the rhetorical filigrees at which the arts community is so adept, the plea reduces to: The arts are nice and do good, so they should get taxpayer support." He misrepresents the position of most arts supporters in an attempt to paint us as frivolous and flighty.

Certainly there are a few in the arts community who have been focusing their defense of the VCA on the intrinsic values of arts in society, and that is their right. But many if not most of us have been saying that the main reasons to keep the VCA in the Virginia budget have to do with economic development, education and tourism. Hinkle, like his ideological cronies, deliberately avoids these more conservative arguments.
Hinkle compares the arts to the "Boy Scouts and Girl Scouts," "health-food stores," "newspapers," and "churches, synagogues and mosques," stating that they also are “nice and do good.” He then reasons, if these nice organizations receive no state funding, why should the arts?

The answers are simple, so it is hard to understand why Hinkle even poses the question.

The Boy Scouts and Girl Scouts, both of which I support, are membership organizations that admit some and fail to admit others. Fundamentally, they exist to meet the needs of their members. Unlike nonprofit arts organizations, their programs are not open to everyone and they do not exist solely to serve the public good.

Now, if someone wants to argue that not all nonprofit arts organizations put the public good front and center, I'll agree with them in that argument, and together we can go after those slackers. But that has nothing to do with the industry as a whole.

Looking at health-food stores and newspapers, both of which I support, anyone among us can point to entrepreneurs who have made their fortunes owning and operating such businesses. That business model exists in abundance. Nonprofit arts organizations are not owned by anyone. They belong to the public, just like libraries and parks.

I co-founded Theatre IV 35 years ago, but I don't own it. When I retire, there's nothing for me to sell and no financial rewards for me to reap. We can all name grocery and newspaper magnets who have made tens of millions and more, but I challenge anyone to point out to me a person of any wealth whose fortunes came from founding a nonprofit arts organization. Such a person and such a business model simply do not exist.

Considering churches, synagogues and mosques, all of which I support, they are religious organizations. They admit members who share a common religious belief. Fundamentally, they exist to exalt the particular religious belief that is shared by their members, and to serve the community in the name of their God. And God bless them for it. But the reality is this. They have existed for centuries in the United States without public support.

Conversely, there are virtually no thriving nonprofit arts organizations that now exist or have ever existed in our nation without public support from their state government. You will be able to find a few unfunded nonprofit theatres, orchestras, dance companies and visual arts organizations, but it will be impossible to find any that maintain professional standards and thrive without state support.

I'm not speaking only of Virginia. Hinkle fails to mention that if Virginia were to eliminate its arts commission, it would be the first state in the union to do so. Are all the other states just stupid, or might it be that they understand sound financial arguments that the ideologues of Virginia simply don't choose even to consider?

Coming tomorrow – Part B: Rolls Royce and “a Medicaid Patient’s Physical Agony”

--Bruce Miller

The REAL case for arts in Virginia

2010-02-25T19:23:00.013-05:00

Originally posted by Bruce Miller on 2/25/10 on the Barksdale Buzz:

At least 150 Virginia arts supporters lined the halls of the Virginia Capitol today. It felt like more, but that's how many stickers saying "Save the Arts" were distributed.

However many of us there were, we packed the place, and certainly made a strong statement in favor of continuing state funding for the Virginia Commission for the Arts.

Everywhere we went, smart and well-intentioned individuals asked something like, "Why should the state support the arts when we can't do all that we should be doing for disabled children, for education, for health care for the poor?"

If there were a true choice between these very worthy causes and the minimal financial support required to save the Virginia Commission for the Arts, I too would pick disabled kids, education and health care. The arts will never and should never win the argument that we are "more important" than these very worthy efforts. The case for disabled children, education and health care for the poor has already been argued and won in the hearts and minds of virtually everyone I know. Especially artists.

But in the real world, there is no such choice. Pretending that such a choice exists is an ideological exercise, lacking any foundation in real world economics.

The one choice is this: should Virginia continue to fund the Virginia Commission for the Arts, cutting it proportionally with other agencies, services and efforts, or should the Old Dominion become the first state in the nation to turn its back on its own nonprofit arts industry.

That is the choice. And as we debate the pros and cons, the only truly germane question, given current budget realities, is this: will spending $4 million to maintain the Virginia Commission for the Arts result in a net loss for the state budget or a net gain. If we all agree that we want more money to go to the aforementioned worthy causes (and who doesn't), the question is not whether or not the state should fund the arts, the question is whether such funding will be a sound investment resulting in more revenue to devote to all the things the state is honor-bound to fund.

The Virginia economy, like any large economy, is very inter-connected and complex. An economic impact study conducted in 2000 documents that the nonprofit arts generated $1.1 billion per year in Virginia a decade ago. Wise leaders recognize that the arts are like roads, libraries and state parks. They are among the quality of life components that attract businesses to a community, that attract top students and faculty to universities, that bring out-of-state money into local and state cash registers.

Gone are the days when a thriving American city or town (or state) can be "art free" and still expect to attract jobs. The vast majority of major employers don't move into cities until they determine that a thriving arts and cultural community pre-exists.

They require a robust arts community not only because they want their employees to have something fun to do on Friday night, but also because virtually all business studies indicate that the most educated work forces, the most creative work forces, the work forces most adept at the skills that 21st Century companies need to compete come from communities that are rich in the arts.

Don't believe me? Check out Richard Florida's (PhD, Columbia University) several best-selling business texts: The Rise of the Creative Class, Cities and the Creative Class, and The Flight of the Creative Class. Follow that with a perusal of Daniel Pink's immensely popular A Whole New Mind: Why Right-Brainers Will Rule the Future.

As for small businesses ... the Virginia economy is based on small businesses. Every legislator says so, especially those who favor eliminating the Virginia Commission for the Arts. The ironic thing is that arts organizations ARE small businesses, employing over 20,000 professionals in Virginia each year.

Eliminating the Virginia Commission for the Arts (as has been proposed by the House) will not save money, it will cost money. Lots of money. If you truly want to get more money for your favorite worthy cause--and we all agree that education, health care etc are worthy causes--then do NOT destroy the infrastructure that enables and sustains 20,000 jobs and offers a 275% return on investment.

Virginia's arts organizations have already accepted cuts exceeding 30%. We haven't whined. We haven't cried "Wolf!" We understand that we need to tighten our belts and sacrifice just like everyone else.

All we ask now is for the Virginia legislature in its entirety to go with the budget recommendations of Gov Kaine, Gov McDonnell and the Virginia Senate. Only the House budget recommends eliminating the Virginia Commission for the Arts.

All we ask is that the legislature in its entirety think big picture. Save the Virginia Commission for the Arts, and allow our nonprofit industry to continue to provide tens of thousands of real jobs, lure hundreds of thousands or more jobs into Virginia, support education, and increase tourism.

We know the job of balancing the budget is extremely hard. But please, examine the concrete evidence. Think long term and big picture. The voters of Virginia deserve no less.

--Bruce Miller

P.S. For those who are twittering and facebook messaging that the story is over and the VCA is gone, be patient. The battle will not be fought, won or lost until March 5, and we won't know the result until a few days after. March 5 is when conferees from the House and the Senate begin meeting to duke it out, finding a common ground between their two versions of the budget. The Senate budget proposes the same 16% cut offered by Gov Kaine. The House budget (which passed today along party lines) proposes a 50% cut in year one and elimination in year two. Now is the time to work even harder to convince House conferees to consider the wisdom of maintaining the VCA.

Bruce's letter to the editor

2010-02-23T09:03:00.004-05:00

Original post by Bruce Miller on 2/22/10 on The Barksdale Buzz:

I'm absolutely heartsick about today's news from the House Appropriations Committee. Here's a letter I've written to the T-D. I have no idea if it will run, so I'm printing it again here. PLEASE call your legislatures tomorrow. Legislator contact information can be found on the web at http://legis.virginia.gov/1_cit_guide/contacting_my.html.

Editor - Times-Dispatch:

The House Appropriations Committee is proposing the elimination of the Virginia Commission for the Arts. I have been the artistic director of Theatre IV, The Children's Theatre of Virginia, for the last 35 years. In an effort to create significant cost efficiencies, the staff of Theatre IV also has managed Barksdale Theatre for the last 8 1/2 years.

As a nonprofit administrator, I have always been trained to speak publicly only of success. With regard to this new proposal, it would be irresponsible for me to pretend optimism when I know first-hand the certain disaster that will follow the passage of such misguided legislation.

Every day, Theatre IV and Barksdale, two of our state's most exemplary nonprofits, deal with the fact that Virginia historically and consistently funds the arts at a level lower than any state in our region. We continue to serve over 600,000 Virginians annually, despite the fact that the legislature eliminated direct funding of arts organizations four years ago, and over the last two years has already reduced indirect funding (through the Virginia Commission for the Arts) by 30%.

In the last 16 months, Theatre IV and Barksdale have eliminated 6 positions and have plans to eliminate 2 more (20% of our lean work force). We have reduced salaries by up to 17%, cancelled company support of retirement plans, and increased the employee's share of health insurance. To adjust to the eliminated positions, many on our staff work an 80-hour work week just to keep our nonprofit companies alive.

The elimination of state funding to the Virginia Commission for the Arts will cost Theatre IV and Barksdale Theatre an additional loss of $190,000 per year. That will mean the elimination of seven more jobs. Despite all our best efforts, we will not be able to operate under these conditions.

What the House Appropriations Committee is proposing is the elimination of the nonprofit arts infrastructure that tens of thousands of hard-working Virginians have taken decades to build. Hundreds of jobs will be lost, and the economic repercussions will not be positive; they will be disastrous.

To avoid causing lasting harm to economic development, education, tourism and quality of life, please ask your legislators to oppose the current proposal of the House Appropriations Committee.

Sincerely,
Bruce Miller
Artistic Director, Theatre IV and Barksdale Theatre
1901 Belleau Drive
Richmond, VA 23235
(804) 513-6775

VCA in Jeopardy

2010-02-22T10:52:00.008-05:00

Friends of Theatre IV and the arts,

This legislative alert went out late last night from Virginians for the Arts. The Virginia Commission for the Arts is in jeopardy and action is needed ASAP to prevent a 50% cut of VCA in 2011 and total elminiation in 2012.

Theatre IV has received VCA funding of approximately $100,000 annually. Cuts to and elimination of VCA would be a huge blow to us and to our colleague arts organizations, both large and small.

Read on for further details....

URGENT: CONTACT YOUR HOUSE OF
DELEGATES REPRESENTATIVE
More Info

The House budget plan released by the House Appropriations Committee on Sunday calls for reducing arts grants through the Virginia Commission for the Arts by 50 percent during FY11 and eliminating the Commission altogether at the end of FY12.

An attempt to abolish the Commission in the early 1990s was rejected by the General Assembly and led to the creation of Virginians for the Arts to serve as a permanent advocacy force. This recommendation by the House committee represents a regrettable step backwards to 1990.

It is critical that arts advocates contact House members and ask them to oppose this recommendation on the floor of the House in the budget debate, which will be held on Thursday, February 25.

Faxes and phone calls are recommended before email. Find contact information for your legislator here.

Talking points are available here on the VFTA website.

Alan D. Albert
Legislative Counsel
Virginians for the Arts

Poetry Out Loud

2010-02-18T13:21:00.027-05:00

The National Endowment for the Arts and the Poetry Foundation joined together to create Poetry Out Loud, a program that encourages the nation's youth to learn about great poetry through memorization and recitation.

The program is administered by state arts agencies, in cooperation with a nonprofit organization in each state. This year, Theatre IV received a grant from the Virginia Commission for the Arts to facilitate the Poetry Out Loud competition in Virginia.

Theatre IV Arts-in-Education Manager Jeanie Rule (left), and Tour Assistant Christna Billew (below right), have done the lion's share of working tirelessly to coordinate the program, which involves working with high school teachers, schools and performance venues to set up regional competitions across the Commonwealth, culminating with the state competition at Theatre IV's Empire Theatre in downtown Richmond. The winners of each statewide competition proceed to the finals at the nation's Capitol in Washington D.C. in April.

The inspiration for this competition is to promote the art of poetry in both the classroom and the community. The program provides an entry point for many students to learn to love poetry and find poems that will stay with them for a lifetime.

A commitment to education is one of the pillars of Theatre IV's mission, and we are thrilled to be at the helm of this wonderful program in Virginia. Interestingly, last year's national competition winner, William Farley, was from Virginia.

As Jeanie said, "I'm a firm believer that lightning CAN strike twice!"

Theatre IV to the rescue!

2010-02-15T23:30:00.006-05:00

Breaking news today, as the recently purchased Ukrop's Supermarkets alerted Richmond area Girl Scout troops they were no longer allowed to set up cookie booths outside Ukrop's stores. This after many troops had already made arrangements with Ukrop's as far back as November.

Read the Style Weekly article here.

Never fear, Girl Scouts! Theatre IV is offering the Empire Theatre as a cookie-selling venue to any troops snubbed by Ukrop's-now-Martin's. Troops can set up at performances of Jack and the Beanstalk, March 12 - 21. Contact Judi Crenshaw at j.crenshaw@theatreivrichmond.org to schedule a date!

The Song (or Whatever) of Mulan

2010-02-13T16:50:00.009-05:00

Original post by Bruce Miller on The Barksdale Buzz, 2/1/10

Every time I think of The Song of Mulan, I remember what happened eight years ago when we first contracted Paul Deiss to create the show for our touring operation. Schools were crying out for a fun way to support the new SOLs on ancient China, and the epic poem about the young girl who went to war to save her nation from the Mongol (Tartar) horde definitely fit the bill.

It had everything--an inspiring story that illuminates authentic history, a classic work of Chinese literature, and the name recognition that could come only from a recent Disney adaptation.

Paul wrote a beautiful script and score, and when the tour first went on the road, the Richmond Times-Dispatch covered the opening. This was back in the days when we could still get some ink for the arts. There was a beautiful color photo and a sizable caption, all surrounding a prominent headline that proudly proclaimed "Theatre IV Opens The Fish of Mulan."

That's what it said, my friends. We never knew why, but somehow someone in the newsroom changed the title of the play from The Song of Mulan (the actual title of the epic poem, sometimes translated as The Ballad of Mulan) to The Fish of Mulan.

It didn't matter. Then as now, all PR was good PR.

That first tour went so well under Susan Sanford's expert direction, that we soon commissioned Paul to expand his musical into two acts for a mainstage production. Susan again served as director/choreographer, and the show again earned raves from audiences, educators, and critics alike.

Mercedes Schaum created the magnificent sets; Jason Bishop designed a brigade of handsome, authentic costumes; and Steve Koehler worked his usual magic with lights. (Lynne Hartman takes on the lighting responsibilities this time out.)

Now that it's time to revive this Theatre IV favorite, how fortunate we are to have been able to reassemble several members of the original team. (In terms of costumes, Jason has moved to New York, but we have been able to retrieve all his original garments.) Susan Sanford long ago moved to Los Angeles to pursue new career opportunities with her husband, Foster Solomon. But thanks to funding from the Louise Moon Fund, we were able to bring her back to town--a blessing for one and all.

The Louise Moon Fund was created in the late 1990s, shortly before Mrs. Moon died. Throughout her life, she had been a great supporter of the arts. She was on the founding committee of the Richmond Symphony, and she had a long history of support for both Theatre IV and Barksdale.

Before our two nonprofit companies began our strategic partnership in 2001, we worked together to establish the Louise Moon Fund in Mrs. Moon's honor. The fund enabled Barksdale and Theatre IV to bring back to Richmond outstanding theatre artists who had moved on to larger markets. Mrs. Moon had fallen in love this idea after we brought her son, John, back from NYC following his earning his masters in directing from Columbia and his subsequent work with Joseph Papp's Public Theatre.

Susan is only the most recent artist to return due in part to the largesse of Mrs. Moon and her friends.

We have a great new cast for Mulan this year. The titular role is played by Yvonne Samé, recently from the cast of The 25th Annual Putnam County Spelling Bee. Her mother and father are played by Hannah Zold and Jason Marks. Mulan's romantic interest is portrayed by Chris Stewart. Lucas Hall, Audra Honaker, Paul Major and Durron Tyre all provide admirable support in a variety of roles.

If you haven't been out to see this wonderful show, please head on down to Theatre IV's historic Empire Theatre. We'd love to have you join us on our return visit to all the wonders of ancient China.

[ADDITION 2/3/10: Thanks to Steve Koehler and Susan Sanford for politely correcting a mistake I made in the original post. Steve designed the wonderful lights for our first Mulan, and Lynne designed the current revival. One of my favorite lighting moments, which I remember vividly from the first production, is the lighting of the yellow river, where both the painted river and the "live" silk river absolutely glow. Thanks to both Steve and Lynne for the two different productions.]

Just for Fun

2010-02-11T22:15:00.012-05:00

Three of the cast members from The Song of Mulan (Jason Marks, Christopher Stewart and Hannah Zold) chose to creatively express their frustrations of having been able to present only one public performance during the run of the show (they also had one show just for elementary students). After all the cancellations, only FIVE performances remain -- one Friday night, three on Saturday, and one Sunday performance. Check out the video, and check out Mulan before it becomes the stuff of legend! ---oh, wait....

Click to view The Snow of Mulan

NOTE: You have to sign in to Facebook to view the video.

Added performance of The Song of Mulan

2010-02-10T16:18:00.005-05:00

FINAL WEEKEND!

The Song of Mulan Closes February 14, 2010.

We have added a performance on Saturday, February 13, 2010 at 6:00 p.m. Great seats are available! Call the box office at (804) 344-8040 for reservations.

Also, if you had tickets to a performance that was canceled due to weather, we can reschedule you for another date. Call the box office at (804) 344-8040.

"Colorful and upbeat"

"Excellent singing"

"Gently funny"

- Richmond Times-Dispatch

Help Theatre IV dig out!

2010-02-08T09:36:00.029-05:00

Some are joking that the alternative title of The Song of Mulan should be The Show that Never Was.

With all the cancellations, it's almost true -- we've had two (count 'em, 2!) performances of Mulan since the show's opening on January 29. The most recent storm wiped out all performances over the weekend. That's four cancellations. Add those to the last batch of cancellations from the other storm, and that's a lot of lost revenue. With more snow in the forecast, the outlook for Mulan isn't so sunny.

Our other performing arts colleagues are in the same boat. While the snow is pretty and the kids are loving days off from school, lost revenue due to weather -- particularly in light of existing difficulties during the current economy -- is a challenge that none of us bargained for.

The good news is, you can help! There are two ways you can support Theatre IV as we attempt to dig out from under this financial snow drift:

1. Purchase a "virtual ticket" -- in other words, make a donation to Theatre IV in the amount of the ticket price for a show you may have attended, but was canceled due to snow. For example, the price of a ticket to Mulan is $22, so you would make a $22 donation to cover the lost revenue for that canceled ticket. Your donation is tax-deductible and you can still exchange your ticket for another performance.

2. Donate your ticket back to Theatre IV in lieu of rescheduling. This counts as a tax-deductible donation too, since you received no goods or services in exchange. For example, if you purchased a ticket to a canceled performance of Mulan, you would let the box office know that instead of exchanging your ticket for another performance, you want to donate that canceled ticket to the theatre and then (we hope!) purchase a ticket for a future performance.

To make an online donation at any time to Theatre IV, you can do so securely through Network for Good. Just go to our webiste, www.theatreivrichmond.org, and click "Donate" at the top of the page to be redirected to Network for Good.

If you would rather mail a donation, you can send it to Theatre IV, Attn: Development Office, 114 W. Broad Street, Richmond, VA 23220.

Or, you can call us at (804) 783-1688 to make a donation over the phone with a credit card.

We also welcome stock donations and in-kind donations of furniture, clothing/costumes, props, etc.

With your help, we'll weather this storm just as we have weathered all the others for the past 35 years. Most of all, THANK YOU, dear friends, for your steadfast support of Theatre IV! Fingers crossed, we'll see you at the theatre!

On the Road Again: Theatre IV

2010-02-07T23:58:00.006-05:00

In case you haven't yet seen it, Theatre IV is featured in the February issue of Virginia Living! The article describes Theatre IV's touring operation in detail. Check it out! http://www.virginialiving.com/articles/on-the-road-again

Gena Hart helping Matt Doss transform into Ben Franklin for the Theatre IV tour production of Ben Franklin and his Kite.

Weather Update

2010-02-05T15:48:00.007-05:00

This white stuff is making us see red!

Tonight's (Friday, Feb. 5) and both of tomorrow's (Saturday, Feb. 6) performances of The Song of Mulan have been CANCELED due to the snow. We are calling all patrons now to reschedule for future dates. If possible, we will schedule a make-up performance for 6 p.m. on Sunday, Feb. 14. We'll keep you posted.

Stay safe out there, and if ya can't enjoy the show, enjoy the snow!

Back in Action!

2010-02-04T17:38:00.039-05:00

Greetings Theatre Lovers!

After a nine month hiatus, the Theatre IV blog is back in action. No, none of us had a baby during that time, although we did produce a lot of wonderful programming!

A quick recap:

May: Our magnificent production of Annie closes. Again, hats off to all the stars involved, both on stage and off! (See photo at left: Alia Bisharat, Shalandis Wheeler Smith, Christopher Stewart, Sarah Day, Gordon Bass, Robin Harris-Jones)

June: Barksdale Theatre’s production of Thoroughly Modern Millie opens with gusto on the Empire Theatre stage.

July: The Broadway Today Cabaret: Benefit for the Theatre Artists Fund starring many Theatre IV and Barksdale actors is a huge success, selling out and raising funds for that important cause.

August: Millie closes and the Tour and Production Departments start gearing up for fall arts-in-education tours.

September: Theatre IV withstands another Tourmite invasion! Tour actors converge from far and wide to rehearse for our Virginia school tour and national tour productions.

October: The first show of our 2009-10 Broadway for Families season opens with The Ugly Duckling on the Empire Theatre stage. (See photo at right, Eric Pastore and Aly Wepplo) Fall tours are out the door.

November: Over 300 youngsters and their families swarm Short Pump Town Center for The Sound of Music auditions, with 200 more landing on a waiting list. The day goes off without a hitch, thanks to careful planning by the Marketing and Production Departments.

December: A Christmas Carol opens on the Empire stage. Snow Bear and members of the Carol cast perform for kids at the Children's Hospital's annual holiday party.

January: Theatre IV sends costumed cast members from The Song of Mulan and Buffalo Soldier to escort senators to their chambers at the State Capitol on Arts Advocacy Day. Mulan opens to great reviews.

And here we are at February, Black History Month. Theatre IV is the premier presenter of educational plays and musicals based on prominent African-American figures in our nation’s history, including Harriet Tubman and the Underground Railroad, I Have a Dream: The Life and Times of Dr. Martin Luther King, Jr. and Buffalo Soldier, the first play ever to be presented inside the walls of the Pentagon.

Buffalo Soldier will be on stage at the Empire Theatre February 23-28. The book, music and lyrics for the production, created in association with the Virginia Historical Society, were written by our very own Bruce Craig Miller, co-founder and Artistic Director of Theatre IV.

And for all those sweethearts with kiddies, how about a family outing to the theatre this Valentine's Day? Call 344-8040 for tickets to The Song of Mulan, running now through February 14! (See photo at left: Hannah Zold and Yvonne Same)

SEE YOU AT THE THEATRE!

The Sun'll Come Out ... Today!

2009-04-26T08:41:00.003-04:00

Posted by Bruce Miller
Between December 2007 and March 2008, the Boards of Trustees, Phil and I made two big, proactive decisions. We scheduled the elimination of five positions from the staff of Barksdale/Theatre IV, and we announced three Depression Era plays/musicals for our upcoming seasons.

It may not have been clear to everyone at the time, but for those of us whose job it was to keep our eyes on the books on a day to day basis, the writing was on the wall.

The positions we eliminated amounted to approximately 11% of our total workforce. Like all RIF actions, these eliminations were painful. They continue to strain our operations.

The eliminations were also necessary. They reduced annual expenditures by approximately $140,000.

The five positions that were eliminated, two by attrition, included Associate Artistic Director, Special Projects Manager, Marketing Associate, Group Sales Manager, and Receptionist/Bookkeeping Associate. If and when the economy rebounds, we hope to be able to restore each of these sorely needed positions.

The shows we announced related to the Depression, but they were all upbeat and inspirational, and reflected the current zeitgeist. They were Barksdale’s productions of A Sanders Family Christmas at Hanover Tavern and This Wonderful Life at Willow Lawn, and Theatre IV’s production of Annie, which just opened on Friday at our historic Empire.

The public seems to appreciate our decision. These have been three of the four biggest hits of our 2008-09 Seasons (Driving Miss Daisy being the fourth).

Susie Haubenstock’s review of Annie appears in this morning’s Metro section. “In tough times,” the headline trumpets, “this musical is just what the doctor ordered.”

“Think that Annie is just for kids? The 1977 powerhouse musical by Thomas Meehan, Charles Strouse and Martin Charnin is a favorite of young audiences, surely, but rarely in history has it seemed so appropriate for older ones as well. Theatre IV’s current production is big and stylish and full of fun—and loaded with Depression-era nostalgia that’s all too pertinent today. But being Annie, the attitude is sunny, hopeful and positive—a real tonic for us veterans of bailouts and layoffs.”

“The story of those plucky orphans under the yoke of the tippling Miss Hannigan still works like a well-oiled machine. There’s a super-sized cast of 26 people and one irresistible dog, and a sumptuous scenic design by Mercedes Schaum. No skimping here. Robin Arthur’s direction hits just the right note—she’s an ace with the orphans, who are cute but never cloying, and her choreography (especially for ‘Easy Street’) is fresh and funny.”

Susie continues to praise the entire cast, the remaining designers, and the production as a whole.

So no matter what your age, if you need a lift from the recession-riddled headlines, trundle on down to the historic Empire and participate in Barksdale and Theatre IV’s own stimulus program. You’ll have a GREAT evening in the theatre, laugh and cheer, and help our nonprofit companies triumph, God willing, over this economy that continues to kick us in the shins.

We need you. Hope to see you at Annie, Well, I Ought to be in Pictures, and all our other upcoming productions.

--Bruce Miller

Training a Dog for the Theatre - ANNIE at the Empire

2009-04-24T14:29:00.008-04:00

By Valerie Paul

Cody and Sarah Day play Sandy and Annie

Needless to say, training Cody for the role of Sandy in Annie was a bit different from training a dog for companionship. Sure, some things were the same. For instance, Cody had the same socialization that every dog should have and at a very young age. Yes, I have to correct Cody just like I would for any other dog. That, however, is about the extent of the similarities.

First I mentioned socialization. Cody had to be comfortable with new and exciting things. He had to learn that loud sounds, people, and bright lights were all ok. It really helps that my husband, Hans, is a carpenter. Cody learned that the sound of a saw was where he’d find Daddy, so that noise was ok. That made it easier to introduce new things.

Then the training came in. The biggest difference between Cody and companion dogs is that Cody has been trained using only hand signals (no vocal cues). This is both a plus and a minus. Dogs communicate via body language, so it’s easier for Cody to learn this way. However, I am unable to use my voice to reprimand him or get his attention when he’s distracted.

After that, we had to allow time for Cody and “Annie” (Sarah Day) to bond. Hans and I had to learn to ignore him while he was in the theatre, and let Sarah give him all the attention. This happened much faster than I expected. That dog loves Sarah. It’s great to watch them together.

All in all, it has been a fun experience working with Cody. We’ve had to make some adjustments to certain things due to scenery and lighting cues and whatnot, but overall it’s been great. Still, though, neither Cody nor I can wait for the day when the entire cast can love on him and the theatre is just a place to get petted and have treats!

ANNIE is on stage at the Empire Theatre in Richmond, VA through May 17, 2009. Tickets are selling quickly. Click here for more about Annie or to buy tickets.

Valerie Paul became interested in dogs when she was a young girl. She grew up with several dogs, mostly strays, and learned how dogs interact in many different situations. She recently attended North State Canine Academy in Sanford, North Carolina, where she received her Master Trainer Certification. While in Sanford, she worked with many different dogs with a variety of issues.

Valerie owns Impawsible Pups
in home training from puppy to advanced.

First photos of ANNIE

2009-04-23T18:52:00.005-04:00

ANNIE is selling quickly - opening weekend matinees (this Saturday and Sunday 4/25 and 4/26) are almost sold out!
Annie details
Annie tickets

Here are the first few photos. More to come!!
Photos by Aaron Sutten

Gordon Bass shaves his head to play Daddy Warbucks

2009-04-03T18:09:00.004-04:00

ANNIE at the Empire Theatre
April 24 - May 17, 2009
More Info | Tickets

Dawn Westbrook shaves Gordon's head in the R.J. Tilley showroom

Auction Items at the Fairy Tale Ball - Sat., April 4, 2009

2009-03-23T16:04:00.012-04:00

Our 12th Annual, Annie-themed
Fairy Tale Ball

Saturday. April 4
at the Empire Theatre

Take a sneak peak at the Auction Items that will be available on the night:

Silent Auction Items 2009

CHILDREN AND FAMILY (activities, toys, etc.)

The Sun Will Come Out On the Streets of New York…..Backstage!
Your little one will be thrilled when you treat her/him and friends (eight tickets total) to an upcoming matinee performance of Annie, one of the world’s best loved Broadway musicals. The show will be followed by a private backstage tour with juice and cookies with Annie and her friends. Matinee performance dates are April 24 , May 3, May 10 and May 17.
Donor: Theatre IV
Estimated Value: $560
Item #: 101

Bring the Theatre Home!!
Do your little ones love playing make believe? Do they love making puppets? Let them re-create the magic of the theatre with this one-of-a-kind, handmade puppet theatre designed by Terrie Powers and painted by Caroline LaFuira. What is a puppet theatre without puppets? Committee member Caroline LaFuira is making, but what else: Daddy Warbucks, Annie and Sandy puppets. This is sure to keep your kids entertained for hours.
Donor: Terrie Powers, Caroline LaFuira
Estimated Value: $350
Item #: 102

For Your Little “Drama” Queen
Your daughter will be able to carry out all of her fantasies…..be it princess, ballerina or cheerleader. In this treasure trove she will find all the props she needs for the world of make believe. The contents include: tutu, wand cape, flower wreath for her head, hat with chiffon drape, cheerleader outfit with pompoms, “fur” stole, purse, touristy sunglasses, Hawaiian lei, boa, tiara and red velveteen cape.
Donors: Betsy Garber
Estimated Value: $75
Item #: 103

All Aboard! Birthday Fun at SMV
The Science Museum of Virginia is pleased to donate a 90 minute birthday party aboard the Chessie train caboose. Your unforgettable birthday party for 15 children includes: free admission for you and all your guests to the Science Museum’s amazing exhibits, themed activity of your choice, cupcakes, icing and toppings for everyone to decorate, goody bags for the birthday boy/girl and all their guests. This also includes a 10% discount in Shop 4 Science for all your guests on the day of your party. Also, get your little one the first gift, a creative art set courtesy of Animal Crackers. *Please call 864-1480 to book your birthday party. Party dates are subject to availability. Parties appropriate for children ages 5-10 years of age. Visit www.smv.org under the events link for more information.
Donors: Science Museum of Virginia, Animal Crackers
Estimated Value: $300
Item #: 104

Family Fun at CMoR
Spend some quality family time with this Family Membership for 4 to the Children’s Museum of Richmond. Visit CMoR’s NEW Town Square!This 3,000 square foot permanent exhibit features seven new imaginary play stations including a garage, TV station, grocery store with cafe, hospital, bank, and school house!
Donor: Children’s Museum of Richmond
Estimated Value: $100
Item #:105

Tiptoe Through the Tulips
Use this 1 year family membership to Lewis Ginter Botanical Garden to explore more than 40 acres of spectacular gardens. Your membership will be in use all year long as your children will ask to return again and again to play in the new children’s garden and tree house.
Donor Lewis Ginter Botanical Garden
Estimated Value: $75
Item #: 106

Happy Halloween!
With assistance from the costume department, explore Barksdale Theatre and Theatre IV’s HUGE costume collection to find the perfect costumes for 2 adults. [Note: costume loan, pre and post cleaning and minimal fitting included.]
Donor: Theatre IV
Estimated Value: Priceless!
Item #: 107

Trick or Treat!
With assistance from the costume department, explore Barksdale Theatre and Theatre IV’s HUGE costume collection to find the perfect costumes for 2 school age children. [Note: costume loan, pre and post cleaning and minimal fitting included.]
Donor: Theatre IV
Estimated Value: Priceless!
Item #: 108

Jump, Tumble and Have Fun this Summer!
With this $50 gift certificate to The Little Gym for one of their summer camps or classes, your little one will have a ball in a variety of classes, including, gym, sports, karate, and dance. May also be used toward a birthday party.
Donor: The Little Gym of Short Pump
Estimated Value: $50
Item #: 109

Wiggles, Giggles & Books
Your pre-schooler (3, 4 or 5 year old) will spend 3 hours a day for one week working on age appropriate fine motor, language and reading skills. The weeks available are 6/1 – 6/5 or 6/8 - 6/12.
Donor: TALK, LC & Ready, Set, Read
Estimated Value: $225
Item #: 110

Snow White and the Stuffed Bear
Your sweet little girl will look precious in this handmade gingham smocked dress with a “Snow White” motif. She will love to cuddle with this sweet little bear that she can’t be without!
Donor: Half Pints, Paper Plus
Estimated Value: $100
Item #: 111

Let’s Make Music Together
Put your child’s talent to work and make sweet music with these egg shakers and family favorite CD’s. Expand on his/her talent with this $25 Gift Certificate for a music class.
Donor: Let’s Make Music Together, Carol Smoot
Estimated Value: $40
Item #: 112

A Fairy Tale Story
Have these books to read to your favorite princess or prince. Your 1st through 3rd grader will enjoy these Fairy Tales.
Donor: Narnia Books
Estimated Value: $52
Item # 113

Sandy Training
Does your “Sandy” dog or pup need some general training to be the best that he or she can be? This certificate entitles you to 1 beginner course dog training. This includes 6 weeks in-home training for 1 dog. We will cover sit, down, stay. To compliment that perfect pup take advantage of a $25.00 gift certificate courtesy For the Love of Pete.
Donor: Impawsible Pups, Valerie Kostyk, For the Love of Pete
Estimated Value: $475
Item #114

Love Lilly!
This Lilly Pulitzer themed monopoly game will keep your little ones happily entertained for hours. This includes a $25 gift certificate to Pink Palm and a Lilly Pulitzer photo board.
Donor: Pink Palm
Estimated Value: $75
Item # 115

FITNESS, SPORTS AND RECREATION

Strike it Rich!
Host a fabulous bowling party for you or your child at one of Richmond’s three AMF locations (Shrader Lanes, Sunset Lanes, or Hanover Lanes). This bowling party for 24 will include 2 hours of bowling, shoes, popcorn, snacks, and sodas. (Note: If desired, winner may increase party participants for an additional cost).
Donor: AMF Bowling Centers, Inc. and Fred Hipp, President and CEO
Estimated Value: $800
Item #: 201

Move Over Jen and Courtney!
Yoga and Pilates isn’t just for Hollywood’s leading ladies anymore! This gift certificate from Yoga Source and Core Pilates of Richmond will allow you to experience a new and gentle way to get the results that you have been looking for. Core Pilates certificate is good for 2 Pilates Mat classes and Yoga Source certificate is good for 3 Yoga classes.
Donor: Yoga Source and Core Pilates of Richmond
Estimated Value: $62
Item #: 202

Hook ‘um!
Enjoy one hour of private fly-casting instruction with Andrew Stiles, certified fly casting instructor with the Federation of Fly Fishers. For beginner, intermediate or advance casters.
Donor: Andrew Stiles, Certified Casting Instructor
Estimated Value: $75
Item #: 203

Family Fun at the JCC!
Enjoy an indoor, heated lap pool, outdoor recreation pool, sauna and steam room, basketball courts, children’s playgrounds, various fitness classes, kids’ camps, free babysitting and much, much more at the Weinstein JCC with this 1 year general membership for an individual, a couple or a family! Initiation fee included.
Donor: Weinstein JCC
Estimated Value: $678 – 798
Item #: 204

Make Your Way on a Segway
Richmond is one of the most historic cities in the United States. With Richmond’s hundreds of historical sites, Theatre IV actor and local television personality, Gordon Bass, aka Daddy Warbucks prefers to call Richmond “History City”. What better way to capture “History City” than by doing it on a Segway? Segway makes touring easy and enjoyable. Take a friend on the Richmond tour of your choice. Follow it up with lunch for two at the famous Sam Miller’s Restaurant in historic Shockoe Slip.
Donor: Buck Ward, Segway of Richmond, Tom Leppart, Sam Miller’s Restaurant
Estimated Value: $155
Item #205

SCOR a field
Richmond Sports Center of Richmond is providing a certificate for $75 towards small field soccer rental for a soccer themed birthday party.
Donor: Sports Center of Richmond
Estimated Value: $75
Item # 206

GOURMET TREATS

Wine & Dine in Richmond’s Historic Shockoe Slip!
Whether you are in search of an exquisite meal in an unforgettable atmosphere, a cocktail and a cigar in front of the warm glow of a fireplace, martini’s at the bar, live music or an exclusive club to dance the night away, The Tobacco Company Restaurant is the place to be. Enjoy a $50 gift certificate compliments of The Tobacco Co. Restaurant, valid for 6 months upon receipt and not valid for cash, gratuity or on holidays.
Donor: The Tobacco Company Restaurant
Estimated Value: $50
Item #: 301

Dining & Subscribing
at Barksdale Theatre
Enjoy fine dining in Michelle’s restaurant located at the reputable local theatre, Barksdale Theatre at Hanover Tavern. You will enjoy eating under the stars in Michelle’s plantation-like veranda. Also included in this package is a Barksdale Theatre Subscription for 2 to the 2009/2010 production season.
Donor: Michelle’s at Hanover Tavern, Barksdale Theatre
Estimated Value: $400
Item #: 302

Vino Anyone?
Enjoy an exclusive wine tasting for 10 of your closest friends! Discover your favorite grape! Select an evening Monday through Thursday (based on availability) and experience and learn about some of the world’s wonderful wines. This wine tasting is sure to be educational and thirst quenching! The tasting will be held at Private Stock in the Tuckahoe Shopping Center. This certificate expires 6 months from the auction date.
Donor: Private Stock Cigar & Wine Company, Wayne Thorton
Estimated Value: $400
Item #: 303

VIP Wine Tour & Tasting for 6
Take 5 of your friends (21 and over please!) on a private tour of Ingleside Vineyards in Virginia’s Northern Neck, complete with a wine tasting and reception. [Note: Reservations must be made 2 weeks in advance. Expires: April 4, 2010]
Donor: Ingleside Vineyards
Estimated Value: $125
Item #: 304

‘Tis the Season!
Need a little help this holiday season? Treat your friends and family to these scrumptious homemade treats for the holidays – 144 Christmas cookies to be exact!
Donor: Kate Parthemos
Estimated Value: $120
Item #: 305

Steak Night!
Winner of 18 awards for best restaurant for wine lovers by Wine Spectator magazine, Fleming’s Prime Steakhouse and Wine Bar has been designed to stand out as an ongoing celebration of the best in food, wine and the company of friends and family. Here is your chance to celebrate with a four-course dinner for four with wine pairings. Dinner must be booked at least 30 days in advance. Tax and gratuity are not included.
Donor: Fleming’s Prime Steakhouse & Wine Bar
Estimated Value: $600
Item #: 306

Steak Night Florentine
Chef Tanya Cauthen, owner of Belmont Butchery will come to your house and teach grilling techniques to make you the hit of any party. She will grill “Steak Florentine”, 3, 2-inch thick porterhouse steaks weighing about 3 lbs each, enough to feed 6 ($275). All you need is to provide the sides and beverages. To help with the beverages use this $25 gift certificate from Village Fine Wine. Date to be agreed upon between both parties. No holidays. Expires 1 year.
Donor: Belmont Butcher’s, Village Fine Wine & Cigar
Estimated Value: $275
Item #: 307

Meat-A-Month, for 4 Months
Enjoy the meat of your choice for 4 servings for 4 months. Choose from Stonewall Market’s top quality meat selections: duck, lamb, veal, pork chops, steaks, etc. To compliment your meat selection visit the Stratford Hills Once Upon a Vine let them help you select the perfect wine with this $25.00 gift certificate.
Donor: Stonewall Market, Once Upon a Vine South
Estimated Value: $300
Item #: 308

Summer BBQ
Everyone’s favorite warm weather gathering! Enjoy a Catered BBQ for 20 compliments of Carlisle’s Culinary Connection ($250). This includes old-fashioned pork BBQ, 2 sides and homemade cookies. Don’t forget to redeem this $50 gift certificate to Paper on the Avenue for your guests’ invitations! Catering must be coordinated for a mutually agreeable date and is for pick-up only. Expires 4/4/2010.
Donor: Carlisle’s Culinary Connection, Paper on the Avenue
Estimated Value: $300
Item #: 309

Dine Around Town
Stop when you’re out on the go or make it a date night. You won’t go hungry with this $50 gift certificate from Buffalo Wild Wings, $25 to Benny’s BBQ, and $25 to Mrs. Marshalls Café.
Donor: Buffalo Wild Wings, Benny’s BBQ, and Mrs. Marshall’s in Carytown
Estimated Value: $100
Item#310

Guys Night Out!
Enjoy dinner for 4 at Popkin Tavern with the guys, and shoot some pool in this lighthearted atmosphere. Popkin Tavern is Richmond’s first Gastro Pub utilizing the culinary skills of Chef Mike McGhee. Popkin also has a global beer selection and extensive wine list to choose from.
Donor: Popkin Tavern
Estimated Value: $100
Item#311

HOME AND GARDEN (home furnishings, decorating, design, portraits, etc.)

Historic Garden Week in Virginia
Spring is in the air. Enjoy 2, one-day tickets to the 76th anniversary of Historic Garden Week. More than 30 tours of the state’s finest private homes and gardens will be held April 18-25, 2009. After viewing the lovely homes and gardens enjoy lunch on the patio at Arcade Café. As a keepsake on your coffee table, be the first have the 1st edition book dedicated to gardens in Virginia.
Donor: Sarah Price on behalf of Three Chopt Garden Club, Arcade Café on Grove
Estimated Value: $150
Item #: 401

Spruce Up Your Home and Garden!
Bid on this fabulous home and garden design package which includes four hours of consultation and home landscape design by Russell Combs Design($200), a certified landscape designer. Use a $50 gift certificate towards sod or seed from Brookmeade Sod Farm to assist in the outdoor design plans. Your home will become as beautiful as your yard when you use this gift Certificate from interior designer, Julilly Westfall, who will meet with you for a one hour consultation ($75). Complement your design make-over with this stunning hand painted ceramic tureen and matching platter from Bonheur Fine Art and Ceramics ($400).
Donors: Russell Combs Design, LLC, Brookemeade Sod Farm, Inc., Westfall Interiors, Julilly Westfall and, Bonheur Fine Art and Ceramics, Celie Gehring
Estimated Value: $725
Item #: 402

Pencil It In!
Provide a high-quality photo (5x7 or larger), and artist Emily Cole will create a professionally drawn 8x10 pencil portrait – person, pet, place or thing!!! [Note: Actual paper size is 16x20]
Donor: Emily Cole
Estimated Value: $300
Item #: 403

Time is Beauty
Hang this handcrafted mahogany and curly maple wall clock in your home or office, by Richmond artist, George Garret.
Donor: Glave Kocen Gallery
Estimated Value: $80
Item #: 404

Mix It Up!
Let your mixing begin with this top of the line KitchenAid Professional 600 6 Qt Stand Mixer. It is equipped with high-performance, professional-level motor. This mixer can effectively mix up to 14 cups of all-purpose flour per batch.
Donor: Ferguson
Estimated Value: $499
Item #: 405

Process It!
Leave all the processing to Kitchen Aid. This food processor will make your cooking a snap. This processor has a seven quart work bowl, several blades and spatula and cleaning tools.
Donor: Ferguson
Estimated Value: $149
Item #: 406

Keep the Warbucks Mansion Cool
This gorgeous Craftmade Chapparel ceiling fan will surely complement any sunroom or family room with its timeless aged bronze with sold teak wood blades.
Donor: Ferguson
Estimate Value: $265
Item#:407

Darkwood Beveled Mirror
This beautiful dark wood beveled mirror will surely be the focus of any wall or fireplace mantel in your lovely home.
Donor: Ferguson
Estimated Value: $385
Item#:408

The Historic Empire!
The lovely, talented artist Pat Cully has done a wonderful numbered pen & ink print of the Empire Theatre. The pen & ink print is numbered, matted and framed.
Donor: Pat Cully Illustrations, Pat Cully
Value: $200
Item #: 409

Lasting Impressions
Capture a special age with a beautiful pencil sketch portrait (taken from a photo taken by artist or life depending on the subject’s age) by Richmond artist Christy Talbott. This certificate includes a consultation.
Donor: Christy Talbott Portraits
Estimated Value: $300
Item #: 410

Fanciful Piece of Art for Your Home
You will love this 8 x 10 acrylic on canvas titled “Spring Box” Place this lovely piece of art in your favorite room, and it will surely bring brightness to your space.
Donor: Dandridge Davis
Estimated Value: $125
Item #: 411

Flying Fragments
Take home this original print by acclaimed Richmond artist K. Schwarzschild to add some snazzy décor to your home.
Donor: Tracy Schwarzschild
Estimated Value: $150
Item #: 412

Sparkling Snowflake
Keep the memory of that last magical snowfall alive year-round! This 8” hand-made leaded glass snowflake is one-of-a-kind, as nature intended. The beveled glass pieces will illuminate your walls with dancing light and color. If you don’t win this one, visit the artist at www.emilyjcole.com to find more!
Estimated Value: $50
Item #413

Moatum
Give some dimension to your home decor with this lovely purple print by Richmond artist K. Schwarzschild.
Donor: Tracy Schwarzschild
Estimated Value: $100
Item #414

D’Signs
This limited edition framed print (12x12) from original paintings is part of artist Terrie Powers series “D’Signs” which pays tribute to Richmond’s iconic signage. Terrie has worked as Theatre IV’s resident scenic designer for 27 years, and more recently at Barksdale Theatre’s Hanover Tavern, is also a visual artist who has exhibited in galleries worldwide.
Donor: Terrie Powers
Estimated Value: $150
Item #415

Iconic Signs of Old Richmond
Terrie Powers, Theatre IV’s resident scenic designer for 27 years, and more recently, at Barksdale Theatre’s Hanover Tavern, is also a visual artist who has exhibited in galleries worldwide. This limited edition framed print (12x12) from original paintings is part of Powers series “D’Signs” which pays tribute to Richmond’s iconic signage.
Donor: Terrie Powers
Estimated Value: $150
Item # 416

Brighten Up Your Mansion
Mansion or Townhome, your place can always use some sprucing up! Interior Designer Kirsten Nease is here to help. Meet with Kirsten for a complimentary 2-hour initial design consultation ($200) and you will be on your way to a more enjoyable living space. Kirsten Nease Designs is including a beautiful decorative silk pillow ($150) to get your ideas started. We are pairing this with 5 gold leaf, acid washed apples from Bonnie Thomas Decorative Arts ($150) that can act as a beautiful centerpiece, or displayed in your home individually.
Donor: Kirsten Nease Designs, Bonnie Thomas Decorative Arts
Estimated Value: $350
Item# 417

Set Your Home Apart From Others
Sterling Home Staging is offering a 2 hours staging consultation to get the most out of your home. The consultation involves meeting with the home owner(s) and/or real estate agent and reviewing the property inside and out. An extensive, detailed report is prepared listing everything the homeowner should do to stage the home, room by room and outside the home. When the work is complete, a Sterling Home Staging professional will revisit the home, make any final changes and certify that the house is staged. Add a fresh, sophisticated touch with this $100 gift certificate from Ruth & Ollie, known for their great furniture, unique lighting and cool accent accessories and pillows.
Donor: Sterling Home Staging, Renita Sommers, Ruth & Ollie
Estimated Value: $250
Item #418

It’s So Fraiche!
This handmade salad bowl from Fraiche can go from freezer, to oven, to table. Use it however you need to while still looking so “fraiche” and chic!
Donor: Fraiche
Estimated Value: $112
Item #419

JUST FOR YOU (getaways, jewelry and shopping)

Sleep where 10 Former United States Presidents have Slept!
Enjoy a 24 hour getaway with you special someone! Before your getaway begins, head over to Libbie and Grove to Irresistibles ($25). Pick out something special. Get your guy in a fancy Peter Blair Silk Tie ($95). Pack your bags and head down to one of the nation’s 33 Mobile 5 Star and AAA Five Diamond award for Hotels…The Jefferson ($385). After you approve your accommodations, some amazing French cuisine at Can Can ($100) awaits. If you think this is too much already, after a good night’s sleep, brunch at the Jefferson awaits you.
Donors: The Jefferson Hotel, Can Can Brasserie, Peter Blair Fine Clothiers, Irresistibles
Estimated Value: $605
Item: #501

Baubles and Beads
Treat yourself to this stunning aqua quartz glass and freshwater pearl necklace with sterling silver hook and chain. Matching aqua glass, freshwater pearl and sterling silver earrings handmade by one of our committee members, Ellen Dimond. You will look fabulous all dolled up for Spring!
Donor: Dimond Designs
Estimated Value: $100
Item #: 502

Turquoise Earrings
These sterling silver and turquoise earrings, handmade by one of our Theatre IV committee members, are great with a pair of jeans or for a night on the town.
Donor: Dimond Designs
Estimated Value: $20
Item #: 503

Fresh Water Pearl Necklace, Bracelet and Earrings
These gorgeous matching fresh water pearl necklace, bracelet and earring set is sure to accent any “little black” dress. The bracelet and necklace both have 14kt white gold clasps.
Donor: Beverly Hills Jewelers
Estimated Value: $250
Item #: 504

Estate San Marco Sterling Silver Bracelet
This beautiful estate San Marco Sterling Silver bracelet is a classic jewelry piece, always in style.
Donor: Carreras Ltd.
Estimated Value: $375
Item #: 505

Breathtaking Opal and Diamond Ring
This elegant pear shaped opal is surrounded by 16 diamonds (1/3 ctw) and is set in 14k yellow gold. The opal is approximately 9 millimeters by 14 millimeters and is “I” clarity. This gorgeous ring (size 7) will reflect the celebration and sparkle of someone absolutely spectacular.
Donor: Anonymous
Estimated Value: $375
Item #: 506

Create Your Own New York Annie Magic
With this needlepoint canvas you can create the Magic of the city. Let the New York themed ornament guide your imagination.
Donor: Jermie’s
Estimated Value: $50
Item #: 507

Rejuvenate Yourself!
Treat yourself and your skin to a Microdermabrasion Face Treatment at Michael Skin Care Center. This treatment instantly polishes the skin with a jet of fine crystals and immediately improves sun damaged skin, discoloration, fine lines, large pores, and superficial age spots ($130). (Must be redeemed within 3 months of the Fairy Tale Ball). We can’t leave out your smile. You will want to flash those pearly whites after this in-office Zoom Bleaching from Dr. Edward D. Gardner, Jr. DDS ($600).
Donor: Michael Skin Care Center
Estimated Value: $730
Item #: 508

Get the BLEACH before you hit the BEACH of your choice!
Take a trip to warm or cold, any destination you choose! Take a one-week vacation with this RCI Resorts and Travel timeshare. There are endless choices all over the world!......and before you go get those pearly whites back to Brite with a Bleach for the Beach teeth whitening procedure. Date and location to be coordinated through donor and winner of this item.
Donor: Dr. Jill Bussey & Dr. Monroe Harris
Estimated Value: $2,750
Item # 509

Pamper Your Pet
Indulge your little pooch with this adorable pink and black polka dot dog collar and matching leash set. Wouldn’t Sandy be jealous?! To keep your pooch squeaky-clean take advantage of CritterTown BathHouse self service pet wash & dry so you wont worry about messing up your bathroom to bathe your dog.
Donor: Preppy Palooza, CritterTown BathHouse
Estimated value: $65
Item #: 510

Duck Bucks!
Make your car happy with $200.00 worth of Car Pool Duck Bucks. Duck Bucks can be used at any of the 7 Richmond area Car Pool car washes. [Note: Not valid at Car Pool’s Detail Shop.]
Donor: Car Pool
Estimated Value: $200
Item #: 511

Keep Your Car Extremely Clean!
Keep your car clean with a 12 Extreme Car Pool Car washes. This can be e used at any of the 7 Richmond area Car Pool car washes. [Note: Not valid at Car Pool’s Detail Shop.]
Donor: Car Pool
Estimated Value: $360
Item #: 512

Your Weekend is Planned!
Bring a date and experience one of Richmond’s best new restaurants that was recently awarded four stars by the restaurant critic for the Richmond Times-Dispatch. Lulu’s has quickly become known as Millie’s hot little sister (same owner) that “works the nonpareil sauciness of its older sibling but sports lower prices, airier digs and gussied-up comfort food.” ($100) Grab a cocktail and make a night of it ending at the downtown Richmond Marriott for one-night accommodations with breakfast included ($180). What to wear? Don’t worry, Village Cleaners ($20 gift Certificate) will dry clean that sassy dress or shirt just for the occasion.
Donor: Stephen Jucina, Lulu’s, Village Cleaners and the Richmond Marriott
Estimated Value: $300
Item # 513

Richmond is Easy to Love When Your Restin’ at the New Westin
Enjoy a luxurious 1-weekend night stay at the new Westin Richmond, or use to accommodate to your out of town guests. Their seven-story, contemporary, full service, state-of-the-art hotel is centrally located to the many local attractions and landmarks that Richmond has to offer. Their comfortable guest rooms feature many wonderful amenities, which will replenish your body and elevate your senses. The Westin Richmond offers something for everyone, whether you want to work, relax, or explore. Enjoy a complimentary “Richmond is Easy To Love” basket with wines, Richmond gourmet snacks, Richmond tailgate blanket and other Richmond favorites ($75). Hotel Reservation based upon availability so call in advance!
Donor: Feliks Schwartz, The Westin Richmond, Nancy Bass
Estimated Value: $275
Item #514

Shops at River Road
Pick up a new clutch, pair of heels, whatever you need to splurge on yourself with this $150 gift to Coplon’s. Then grab dinner with your gal pal and enjoy some refined Italian cuisine at Azzuro ($100) right next door.
Donor: Colpon’s, Azzurro
Estimated Value: $250
Item#515

THE ARTS (photography, tickets for ballet, theater and symphony)

Music to Your Ears
Enjoy a 24-hour getaway with your special someone! You will enjoy a fabulous dinner at the popular Tarrant’s Cafe ($100). After dinner enjoy an evening listening to the sounds of the Richmond Symphony ($140). Following the symphony a wonderful hotel room at the Richmond Marriott awaits you ($180). After a good nights sleep, you will be treated to a complimentary breakfast for two. And…don’t forget to book the baby sitter!
Donors: Tarrant’s, Richmond Symphony, Richmond Marriot
Estimated Value: $420.00
Item: #600

A Thoroughly Modern Night on the Town
Invite a guest to a fabulous dinner for two featuring a la carte French cuisine at
1 North Belmont followed by a night at Barksdale Theatre’s production of Thoroughly Modern Millie down at our Empire Theatre. To top off the evening, be one of the first to stay at the Miller & Rhoads Hilton Garden Inn, including breakfast for two the next morning.
Donors: 1 North Belmont Restaurant, Barksdale Theatre, Miller and Rhoads Hilton Garden Inn
Estimated value: $550
Item #: 601

Dinner & Theatre
Gather yourself and your 5 best friends for a night on the town. Twenty-Seven Bistro and Bar will prepare a fabulous 4 course gourmet meal for all ($400). After the final course you may take a short stroll down the block to our Empire Theatre to attend your choice of Thorougly Modern Millie or Annie($240).
Donors: Barksdale & Theatre IV, 27 Bistro
Estimated value: $640
Item #: 602

Wolfgang Jasper Custom Studio Portrait Session I
Let Wolfgang Jasper create a beautiful desk size portrait for your home or office.
Consult with Wolfgang Jasper Photography in their new Stony Point Fashion Park studio, which includes a planning and design session in an unhurried enjoyable environment in order for you and your family to feel relaxed and comfortable in front of the camera. In addition to your consultation and portrait creation, you will receive a finished custom 8X10 print.
Estimated Value: $407
Donor: Wolfgang Jasper Photography
Item #603

Wolfgang Jasper Custom Studio Portrait Session II
Let Wolfgang Jasper create a beautiful desk size portrait for your home or office.
Consult with Wolfgang Jasper Photography in their new Stony Point Fashion Park studio, which includes a planning and design session in an unhurried enjoyable environment in order for you and your family to feel relaxed and comfortable in front of the camera. In addition to your
consultation and portrait creation, you will receive a finished custom 8X10 print.
Estimated Value: $407
Donor: Wolfgang Jasper Photography
Item #604

It’s A Snap!
Let local photographer, Helen Horsley, capture your loved ones (Helen specializes in photographing children and families) with this wonderful photography package. This package includes the sitting (at a mutually agreeable time and place), a meeting to pick out your favorite images, 1 set each of black and white and color contacts, and a custom printed 5x7 photograph. Additional prints are available for purchase, and Helen would also be delighted to print your holiday cards for you!
Donor: Helen Horsley Photography
Estimated Value: $335
Item #: 605

Leave it to the Portrait Professionals!
Leave it to the professional photographers at Hayes & Fisk the Art of Photography to capture your family or child’s portrait masterfully! This certificate is good for $500 towards a Family Portrait session at our Studio. Valid through 12-1-09
Donor: Hayes & Fisk the Art of Photography
Estimated Value: $500
Item #: 606

Say Cheese!
A custom portrait session for an individual or family plus a 16x20 gallery canvas print. This is a wonderful gift that your family will treasure!
Donor: Robert Harris Photography, Inc.
Estimated Value: $670
Item #: 607

Say Cheese II!
A custom portrait session for an individual or family plus a 16x20 gallery canvas print. This is a wonderful gift that your family will treasure!
Donor: Robert Harris Photography, Inc.
Estimated Value: $670
Item #: 608

Family & Children’s Portraits by Cliff Bruce Studio:
Now is a great time to have your portrait made! Cliff Bruce, a Richmond portrait photographer, will photograph your family and/or the kids. This auction item is sold at a fixed price bid amount of $95 per session including one 8 X 10 portrait. Please note that there are SEVEN of these sessions available for the auction.
Donor: Cliff Bruce Studio
Estimated Value: Regularly Priced at $390/session
Item #: 609

Pregnancy & Newborn Photography by Cliff Bruce Studio:
Are you or a relative planning to have a baby? Susan Bruce will create a beautiful pregnancy portrait of you or tender portraits of your newborn baby. This auction item is sold at a fixed price bid amount of $65 per session including one 5 X 7 portrait. (Regularly priced at $245!) Please note that there are 5 of these sessions available for the auction. Purchase for yourself or as a great gift.
Donor: Cliff Bruce Studio
Estimated Value: Regularly Priced at $245/session
Item #: 610

Live Auction Items 2009

Art + Dinner
Private wine reception for a group up to12, followed by dinner in the Fan. Enjoy wine and a brief artist talk at Page Bond Gallery before dinner and then stroll up the street to Bacchus for fabulous Mediterranean cuisine with your friends (Tip, Tax and Alcohol not included). Enjoy this package any Monday- Thursday with four weeks notice and the exception of June, July, August & December. Dinner reservations are required.
Estimated Value: $1,100
Donors: Page Bond & Bacchus
Live Item# 1

Fabulous Virginia Sunday Brunch
The highlight of any Sunday afternoon, a full fledged down home Virginia Brunch You and 30 of your closest friends are invited to spend a mid-morning in your home enjoying a Sunday Brunch featuring authentic VA dishes such as Eggs Oscar, Country Ham, Mimosas and much more. Your party will include a sampling from a local wine shop of Virginia wines and beers, an ice sculpture of your choosing, a floral arrangement, décor and linens. Date must be reserved at least 1 month in advance, Saturdays are not available. Gratuities and tax are not included. Expires April 2009.
Estimated Value: $1,500
Donors: Catering By Jill (Ice Sculptures
Unlimited, Designs by Ron, The Prop
Shop)
Live Item# 2

Good Day Sunshine
Leave your worries and troubles behind! Take a week off and head to Rodanthe in the beautiful Outer Banks. Bring family or friends or both. Enjoy your stay in the comfortably appointed beach house “Good Day Sunshine”. This four bedroom, Semi-Oceanfront PET friendly home is available* Off-Season April 1, 2009 through May 15, 2009 and October 10, 2009 through March 31, 2010.Good Day Sunshine has excellent views of the ocean and surf. Your friends and family will enjoy the large 2 level wrap around deck, along with the hot tub and screened porch. To help prepare you for this trip Ukrops has provided a $15 gift certificate and Joe’s Market has provided a Gourmet Food Basket Valued at $100. *We cannot guarantee a specific date will be available, based on rental bookings and maintenance schedules, however the more advance notice that you can give, the better your selection will be.
Estimated Value: $1150
Donors: Pat Cully/Tracey Coogle, Ukrops, Joe’s Market
Live Item# 3

Visit to Annie's Hometown!
Fly to the dazzling city that Annie grows so fond of with these travel certificates for two round trip tickets to and from New York City, compliments of Jet Blue services ($1,396), packaged with a weekend (2 nights) at The Shoreham Hotel ($1,400). We wouldn't want you to miss out on a visit to "The Great White Way" so this package includes 2 tickets to Wicked (Stephen Schwartz’ seats, seventh row, center!), a Broadway musical at the Gershwin Theatre ($300). Show tickets to be coordinated with at least one month’s notice required to coordinate plans. Package valid through 4/10/10 and is based on hotel availability. Black out dates at the Shoreham apply December 1-11th, 2009.
Estimated Value: $3,096
Donors: Jet Blue Airways, Covington Travel, The 2009 Fairy
Tale Ball Committee
Live Item# 4

What Would You Say?
To TWO tickets to any Summer 2009 Dave Matthews Band concert. As an added bonus you will receive four VIP lounge passes to enjoy after the show ($200)! (Please note these tickets are not backstage passes and winners are not guaranteed to meet the musicians).
Donors: Susan and Andy Rothenberg
Estimated Value: $200
Live Item# 5

Family Portrait Session
Let Wolfgang Jasper create a family portrait that will become a cherished piece of art for your home. Consult with Wolfgang Jasper Photography in their new Stony Point Fashion Park studio,
which includes a planning and design session in an unhurried enjoyable environment in order for you and your family to feel relaxed and comfortable in front of the camera. In addition to your consultation and portrait creation, you will receive a finished custom 16x20 Wall Portrait.
Estimated Value: $1170.00
Donor: Wolfgang Jasper Photography
Live Item# 6

SAIL Away Excursion
This fabulous package starts in Richmond working on your golf swing at Bogey's Sport Park. You will then head to the "Hamptons" of Virginia to historic Irvington. Upon arriving in Irvington you and your guests will have a day of sailing on the Rappahannock River and over night accommodations with 2 rooms for 4 guests at the nationally known resort, The Tides Inn. Your party of 4 will be picked up at the dock of the Tides Inn. Your luxuriously appointed Farr Beneteau First 42s7 sailboat MOYA, will be your transportation for the day. "MOYA" will Captained by Tommy Asch and crewed by Theatre IV's very own board member Brenda Asch. After we leave dock and hoist the sails you and your guests have nothing to do but relax or if you choose you may help "TRIM" the sails. After your morning sail, a gourmet lunch paired with some great Virginia Wines and Beers will be served. Upon completion of a fun day on the water you and your guests will disembark at The Tide Inn dock. IF you aren't relaxed enough yet, you and your guests may choose to relax by the Tides Inn pool. The next day a complimentary round of Golf at the links await your foursome.
Available May through October, Monday through Thursday, weather permitting at a date agreed between the donor and purchaser. (Adults only)
Donor: Tommy and Brenda Asch, Theatre IV Auction Committee, The Tides Inn, Bogey Sports Park
Estimated Value: $1,500.00.
Live Item# 7

Adult Walk-On Role
Make your wildest dreams come true with a walk-on role for one performance of an exciting show in our upcoming 2010 season. A pre-performance costume fitting and rehearsal are required.
Donor: Theatre IV
Estimated Value: Priceless
Live Item# 8

Child’s Walk-On Role
Make your child’s dream come true by bidding on this amazing opportunity. Let your child feel like a star with the walk-on role for one performance of an exciting show in our upcoming 2010 season. A pre-performance costume fitting and rehearsal are required.
Donor: Theatre IV
Estimated Value: Priceless
Live Item# 9

Many thanks to all of our donors!

And thanks to our Sponsors:

Landmark Sponsors
Printpack, Inc.
CSX Corporation

Big Apple Attraction Sponsor
Williams Mullen

Hallmarks of the Great White Way Sponsors
Dominion
Drs. Niamtu, Alexander, Keeny, Harris, Metzger, Dymon & Associates
Ferguson Enterprises
Harris Williams &Co.
Hunton &Williams
Lewis Insurance Associates
McGuire Woods LLP
Pharmfusion Consulting, LC
Richmond Cold Storage
Rutherfoord, Inc.
Village Bank

Annie's In-kind Sponsors
Bowman Distillery, Spirits Sponsor
Coca-Cola, Beverage Sponsor
Commonwealth Event Company, Tent & Table Sponsor
Covington International Travel
Fruit 66, Kids Bar Sponsor
Michaela's Quality Bake Shop, Cookie Sponsor
Richmond Cold storage, Ice Cream Sponsor
Richmond Corrugated Box Co.
Virginia Linen Service, Inc., Linen Sponsor
Wolfgang Jasper Photography, Family Photo Sponsor
Yes Events, Bar Service

Star Sponsors
Impawsible Pets
Macaulay & Burtch, PC

Orphan Sponsor
Bodega Latina

Character Sponsor
Wells, Coleman & Co., LLP

Special Thanks
FETCH-A-Cure
Graphics Gallery
Lewis Ginter Botanical Gardens
Vern Michael, Auctioneer
John Smallie, Magic

Questions? email Jennings Whiteway

Photo Album for Sideways Stories

2009-01-29T19:47:00.010-05:00

Sideways Stories from Wayside School
opens tomorrow - Friday, January 30, 2009
at the Empire Theatre at 114 West Broad St.

Get a 2 Show Subscription to Sideways Stories and Annie for LESS than the cost of 1 adult ticket to Annie alone! Huge savings! CALL (804) 344-8040.

January 30 – February 15, 2009
By Newbery Medal-winning author Louis Sachar;
Adapted by John Olive

It's the funniest class in the universe, where the oddest things can happen! Based on the acclaimed series by Newbery Medal winning author Louis Sachar, Sideways Stories is a roller coaster ride of chills, spills and laughs aplenty. You'll be delirious with laughter – no matter what your age. Suggested for ages 4 and up.

Snow Bear at the Empire!

2008-11-17T15:58:00.010-05:00

Come meet Snow Bear with your family and friends -- snap as many photos as you want! And take in a light-hearted holiday show for all ages, The Best Christmas Pageant Ever.

Snow Bear appears 30 minutes before each of the following show times in the lobby of the historic Empire Theatre:

Fridays: 12/5, 12/12, 12/19 at 7 pm

Saturdays: 12/6 at 2 pm and 7 pm;
12/13 & 12/20 at 10 am and 3 pm

Sundays: 12/ 7, 12/14, 12/21 at 2 pm;
12/14 at 7 pm

Remember to arrive 30 minutes before listed performance times!
Directions to the Empire Theatre

Or Call (804) 344-8040
for tickets to The Best Christmas Pageant Ever

The Russians Are Coming!

2008-10-03T20:50:00.005-04:00

Posted by Billy Christopher Maupin

In October 2008, Theatre IV, the Modlin Center for the Arts and the Department of Theatre and Dance at the University of Richmond will be presenting the critically acclaimed and world renowned Saratov Academic Youth Theatre in its American debut. The company, the world’s oldest theatre committed to plays for young audiences, will be presenting three performances of two of the most celebrated productions from its permanent repertoire. On Friday, October 17 and Sunday, October 19 the company will perform its own adaptation of the famed Russian folktale, The Humpbacked Horse.

This classic Russian tale (originally written by Pyotr Pavlovich Yershov) has been translated into numerous languages and is the source of the famed Bolshoi Ballet of the same title. Adapted by Elizabeth Mahoney Winthrop, the English translation was an award- winning children’s book beautifully illustrated by the noted Russian artist Alexander Koshkin. The Humpbacked Horse tells of the adventures of Ivan, a young peasant who, through kindness and the help of his faithful and magical “humpbacked horse,” accomplishes the impossible by capturing numerous magical beasts, winning the love of the beautiful Tsarina and becoming the Tsar of all Russia. The story has entertained youth of all ages.

In addition to The Humpbacked Horse, the company will perform its adaptation of Fyodor Dostoyevsky’s famous comic novella, Uncle’s Dream at the Jepson Theatre in the Modlin Center for the Arts on the campus of the University of Richmond on Saturday, October 18. In this play, Dostoyevsky satirizes the attitudes and manners of provincial ne’er-do-wells while entertaining audiences with a farcical plot and zany characters. Dostoyevsky wrote few comedies, but this story and the company’s lively adaptation of it proves that he had a masterful command of the genre. This tale of a social -climbing mother who tries to arrange a marriage for her beautiful daughter to a very rich old man is filled with rich satire and broad farcical humor. The mother’s plans are, of course, thwarted by her daughter’s true love who, in a wonderful plot twist, convinces his uncle that the marriage proposal was all a bad dream.

The Saratov Youth Theatre’s unique style combining elements of commedia dell’arte, music and dance is well served by these two wonderful tales. Both of these entertaining plays will be performed in Russian with English subtititles, with any possible language barriers overcome by the visually exciting production values and the virtuosity of the performances.

ANNIE at the Empire!

2008-06-10T16:54:00.006-04:00

Theatre IV is thrilled to announce
that we are able to bring you ANNIE
as part of our 2008 - 2009 Season!

April 24 – May 17, 2009
at the Empire Theatre
Book by Thomas Meehan; Lyrics by Martin Charnin; Music by Charles Strouse

**Theatre IV just received the rights to do Annie. We are moving the previously announced Frog and Toad to our 2009-2010 Season to accommodate Annie in this slot.**

Season Subscriptions are available now. Single tickets go on sale August 1.

For more about our 2008 - 2009 season, click here.

Perfect Showbiz Moment

2008-05-27T15:17:00.013-04:00

By Scott Wichmann

NEW - Listen to Scott talk about Guys and Dolls on B103 FM.
(page will open in a new window)

I was sitting backstage during this afternoon’s rehearsal for Barksdale Theatre's Guys and Dolls and I had a perfect ‘Showbiz’ moment, and I became impelled to reflect on my good fortune as a performer.

As I sat on a step unit in the wings just off stage right, I began to think about the historic Empire Theatre and how many performers it has been home to through the years. I thought, This old vaudeville house sure has seen its share of magic. What a tradition!!

To be a small part of that tradition is a joyous and humbling thing.

I glanced around and saw actors running lines by themselves, possessed of that slightly ‘crazy’ look, evidenced by the downward-directed muttering that we all do when we’re trying ever-so-diligently to whisper our lines letter-perfect.

Our Director, Patti D’Beck, stood in the front row of the audience, commiserating with our Stage Manager, Wendy Vandergrift, as they went over the blueprint for the set design. Wendy was probably saying what I’ve heard her say about a trillion times: We Can Do That. When she says it, she means it.

Our Musical Director, Sandy Dacus was wrapped up warmly in a cute little knit sweater as she played one of the duets for Sky and Sarah on a portable keyboard. Every now and then she’d pop a cookie into her mouth without missing a note.

As Rita Markova’s incredible singing of ‘I’ll Know’ was giving me goosebumps, I scanned the theatre some more.

I looked over to see the dance ensemble running through their choreography in the adjacent wing. Some were spinning, some were watching the action onstage. Even when they are at rest, they look graceful, I thought.

Our ‘Harry The Horse,’ John Winn, was sitting by the stage door, reading a newspaper, dressed in shorts, a T-shirt and a fedora. Two of our walking wounded, Jason Marks and Landon Nagel—one battling severe laryngitis and the other a recent arm injury—were chuckling about something mischievously while running lines together. Great, I thought, Nicely-Nicely can’t talk and Benny can’t move!! What a pair!!

Almost everywhere I looked, I saw smiles. I saw people getting to know one another. I saw friendships blossom and rare talent on display. And not an ‘ego’ in sight.

I looked out into the audience--where a few more cast members were amiably chatting and getting to know one another-- past the tech table, up into the balcony to the vast, welcoming expanse of what is truly one of Richmond’s treasures.

And I felt incredibly lucky.

Lucky to be around such great people. Lucky to be working for a class organization in a historic setting on one of the greatest of All-American musicals. And lucky to be making new friends while doing what I love most in all the world.

This group is a really fun bunch. They make me laugh. I always leave rehearsal smiling. And we’ve only really been around each other a few weeks. I’m really looking forward to this run and the time I’ll spend with my new ‘Summer Family.’

I cannot accurately describe the amount of talent, energy and enthusiasm being infused into this project. You’ll simply have to see it for yourself. Come spend some time with the cast of Guys and Dolls at The Empire Theatre this summer. I can guarantee that, you too, will have a perfect ‘Showbiz moment.’ More I cannot wish you.

-Scott Wichmann

Theatre IV Subscribers get an $11 discount off each ticket to Barksdale's Guys and Dolls.

Read more from Scott at his blog, www.scottwichmann.blogspot.com

The end has come...

2008-05-19T15:53:00.003-04:00

Posted by Catherine Dudley

Well, Peter Pan closed yesterday and we are sad, once again, to see it go! The production department has worked hard all day long to break down the set and put it back in storage. Here is a bit of the aftermath...

Opening Night!

2008-04-28T09:28:00.005-04:00

Posted by Catherine Dudley

Well, Peter Pan finally opened last Friday night and it was TERRIFIC! The show is impressive technically, acted superbly and immensly fun and heart-warming. (Who doesn't get choked up when the audience has to clap Tinkerbell back to life?)

Here are a few photos from the actor meet-and-greet after the show. If you haven't seen this show yet- don't miss it!

The adoring crowd below.

All the actors greeting their fans.

Captain Hook, Mrs. Darling and Wendy sign autographs.

The lost boys pose with a little Captain Hook and Tinkerbell from the audience.

If you want to spend a few hours away in Neverland- call our Box Office at 344.8040.
Peter Pan runs now through May 18.

Working? or Waltzing?

2008-04-15T11:50:00.003-04:00

Posted by Catherine Dudley

I went into the theatre today to see what was blog-worthy and this is what I found. The production crew working diligently to the sounds of various Peter Pan sound cues. Doug and Adam weren't very phased by the music. Wendy on the other hand- couldn't help herself!

The Making of... #10

2008-04-14T11:47:00.005-04:00

Posted by Catherine Dudley

In these short videos Steve Kohler, Hans Paul, Matt Landwehr, Adam Tiller and Derek Dumais are focusing lights for Peter Pan. It's a pretty cool process.
Good to have you home Steve!

Fairy Tale Ball 2008

2008-04-07T09:48:00.022-04:00

Posted by Catherine Dudley

Well, another Fairy Tale Ball has come and gone and it was a great success. The turnout was fantastic and everyone looked lovely. I think the photos speak for themselves!

Everyone dances to the music of the Jangling Reinharts

Even the staff dresses up and comes out for the evening!

(L- Director of Marketing- Sara Marsden, myself, Below- Joy Ross- Box Office Manager, her lovely daughter Andrea)

Christine Schneider (Wendy in Peter Pan), Richard Koch (Smee in Peter Pan), and Gigi Galiffa (Rumpelstiltskin's Daughter herself) all smile for a picture.

The silent auction room-
Complete with a continuously moving Captain Hook projected onto the wall.
("Well, shiver me timbers!")

Billy Christopher Maupin and Emily Cole-Bitz check out the silent auction winners.

Gwen and Adam make their way through the Neverland trees. Does it get any cuter?

Mason and Holly Timberline make the sweetest penguin/ princess couple ever!

Peter and the lost boys promise to "never grow up!"

If you missed the Ball this year, we hope you'll come out and join us next year! And make sure you come see Peter Pan- April 25- May 18. Call 344-8040 for information.

The Making of... The Fairy Tale Ball- #1

2008-04-04T11:56:00.004-04:00

Posted by Catherine Dudley

Here is a quick clip to share with you. Sorry it's a little squished! I had some camera issues. (Don't worry, the high-pitched squealing in the beginning only lasts for a few seconds!) Make sure your volume is up- Matt is pretty funny!

The Making of... #9

2008-03-27T13:11:00.007-04:00

Posted by Catherine Dudley

Captain Hook and Mr. Darling return for more fittings...

Margaret Joyner fixes Hook's neck ruffle.

Robert Throckmorton holds still as

Margaret pins the sleeves into place.

Mr. Darling looks handsome in his smoking jacket.

Crocodile!!!

2008-03-25T13:12:00.008-04:00

Posted by Catherine Dudley

Theatre IV's 11th Annual Fairy Tale Ball is coming up on April 5th and we are preparing the Empire Theatre for it's coming. For those of you that don't know what the Fairy Tale Ball is- let me fill you in. It is our annual black-tie/costume fundraiser for the company. The theme for the evening is designed around the closing show of our season- this years is Peter Pan. The theatre gets a full makeover; the stage becomes a dance floor with The Jangling Reinharts serving as our band for the evening, decorations abound, a giant tent fully stocked with food galore (sweet and savory), drink bars (for adults and kids), and all kinds of different games and activities. There is also a silent and live auction with amazing prizes, both big and small, to bid on.

I bring this up why? To introduce you to our mascot for the event and our Peter Pan representative- the crocodile!

The crocodile is based on Robert Meganck's gorgeous illustrations for the invitations this year, and David and Terrie Powers have worked long and hard to bring to life this GIANT reptile that will live atop our marquee for the run of Peter Pan.

The crocodile comes with one small warning/disclaimer...

If you live in Richmond and happen to drive down Broad Street, please don't slow down and rubber neck at him. Drive with caution!

His clock really tells time! Cool huh?

If you're interested in joining us for the Fairy Tale Ball this year, please call our Box Office at 344.8040. You can also visit us at http://www.theatreivrichmond.org/ for more information.

Hope to see you there!

The Making of... #8

2008-03-20T09:39:00.021-04:00

Posted by Catherine Dudley

For the last few days Matt (our Master Electrician) and Derek (our Sound Engineer) have been hanging lights for Peter Pan. For days they have been journeying up into the fly rails and then back down onto the stage, lugging extremely heavy equipment- all while being careful not to fall out of the rafters (or a genie) or almost drop a par can on the blogger's head! (Thanks Matt!)

This is what some of the process looks like.

Each of these lights have to be individually hung and focused.

Matt smiles as Derek spots.

An incredible amount of hard work goes into lighting a main stage production. There are lights everywhere. There are numerous rails above the stage filled to capacity, front of house trusses, side light trees, the front of house booms and box booms, electrics onstage and several free standing spots- all of which have to be hung and focused by our hard-working production department. Wow!

The Making of... #7

2008-03-17T15:10:00.007-04:00

Posted by Catherine Dudley

Sorry it has been so long since I have posted an update- I was on vacation last week. However, I am back and have something very cool for everyone out there in blogland. The pirate ship is assembled and magnificent. I took a little virtual tour for you to enjoy! It's good to be a pirate...

Cool, huh?
Be back with more soon. (This was just a teaser!)

The Making of... #6 (Well, sort of)

2008-03-04T13:05:00.013-05:00

Posted by Catherine Dudley

So, as you can see the Darling's bedroom is together and it is all very impressive, but "The Making of..." is taking a slightly different viewpoint this week. The real story lies within "production land!" (Do you get my play on words? Neverland- Production land??? Nevermind!)

While Nathan, Stephen and Doug work hard in the shop...

The production department is currently in the process of moving out of our work shop and storage facilities and moving into portable storage sheds and other temporary places. As you can imagine, this puts an amazing strain on the department. They are working incredibly hard, not only to get moved out, but also continuing to work on the tons of projects already on their plate. I thought I would show you a bit of their moving process today.

Wendy and Mike loading set pieces onto a dolly. (To be taken to and loaded into a truck).

Amidst the chaos, Ariel has a spontaneous moment of glee-filled leaping!

P.J. and Clif loading the truck...

...costume storage is slowly being packed up as well.

Our production department never ceases to amaze me. They work harder than any people I know and I stand in awe of them!

More to come later...

Starkist Ain't Got Nothin' On Us!!!

2008-02-28T16:22:00.006-05:00

Posted by Billy Christopher Maupin

So, casting has been announced for Barksdale Theatre at Hanover Tavern's production of Greater Tuna. It is directed by Joe Pabst, whom you may remember as Lumiere in Theatre IV's production of Disney's Beauty and the Beast at the historic Empire Theatre. He was most recently seen in Barksdale's critically-acclaimed production of Moonlight and Magnolias (directed by Steve Perigard, and also featuring David Bridgewater, Scott Wichmann, and Joy Williams). His directing prowess was most recently displayed in The Odd Couple at Barksdale Theatre at Hanover Tavern.

I also saw the production of Stephen Sondheim and James Goldman's Follies at Dogwood Dell in 2006. Really fantastic director! And I'm so excited to get to work with him!

The Greater Tuna cast stars Joe Inscoe and Billy Christopher Maupin! I'm so excited!

So, the reason I write all this on the Theatre IV blog, is the let you know that the "An Actor Prepares..." series that started here during Rumpelstiltskin's Daughter will be continued soon (or resurrected, perhaps I should say) on the Barksdale Buzz following the work in Greater Tuna. YAY!

The play is absolutely hysterical! You should definitely check it out! You can find more information on the Barksdale website's Tuna page. And you can order tickets by calling the Barksdale box office at 282-2620 or online here.

The Making of... #5

2008-02-28T11:12:00.007-05:00

Posted by Catherine Dudley

Here is a look behind the scenes of a costume fitting.

This is Robert Throckmorton (Captain Hook) before.

This is the "mock-up" phase. A pattern is made out of canvas and then it is used to make the actual costume. (I will show you that step later when it happens.) Margarette Joyner (cutter/draper) pins the jacket in place.

The mock-up of Captain Hook.

Sue Griffin (costume director) helps Mr. Darling appear.

The Making of... #4

2008-02-27T15:19:00.028-05:00

Posted by Catherine Dudley

I have a story for you.

This is how amazing and hard-working our production department is...

I went into the theatre today to take some photos, and these huge bedroom set pieces were just that- in pieces. I shot several pictures and went back to my office to upload them. My camera was acting funny and the shots all looked really bad! I replaced the batteries and went back down to take the shots again (maybe 15-20 minutes later), and the whole set was together! Extremely impressive if I do say so myself! Check it out.

Doug and Eddie work on the set from behind.

Half of the Darling's bedroom.

Hans takes a ride in the Genie to work on the massive windows.

The pirate ship is so colorful!

Eddie paints the tree/rock.

Come back tomorrow for an inside look into Captain Hook's costume fitting!

The Making of... #3

2008-02-25T12:27:00.020-05:00

Posted by Catherine Dudley

Magic continues to happen in production land...

The Darling's bedroom is coming to life! (Yes, those are beds- they are just standing on end!)

Nathan and Bruce work on something! Any guesses?

Several years back, Jeff Gay (an ex-techie) made this little bit of genius. It is a "Peter Pan Window Opener." This is the contraption that they use behind the scenes to make the windows magically open for Peter's grand entrance. Cool, huh?

A random sampling of pulled set pieces and props is below. I spy mushrooms, a bomb, a ship's helm, palm fronds, a dresser... What do you see?

(By the way- if you click on the photos, you can view them bigger.)

Come back for more later. See you soon.

The Making of... #2

2008-02-22T10:48:00.012-05:00

Posted by Catherine Dudley

So I wasn't going to post again until Monday or Tuesday, but this was too good not to show you guys. Do you remember that "piece of (one can only assume) Neverland rock?"

Well, I was right about the Neverland part- it is a GIANT tree- complete with lots of nooks and crannies for lost boys to climb through! Cool, huh?

The Making of... #1

2008-02-20T13:09:00.051-05:00

Posted by Catherine Dudley

OK, Richmond-

We have come to learn that many people in the community are not aware of the fact that we here, at Theatre IV and Barksdale Theatre, build our own sets and costumes, pull our own props, and design our own lights and sound for each and every show that we produce. There is the crazy notion floating around out there that we "bring stuff in." (Is there a "theatre-sets.com" out there that custom orders?)

What does this mean? It means that we have decided to track the progress of Theatre IV's latest endeavor, Peter Pan, for the blog world. So, come along with me as I show you brief glances into "The making of..." Every few days I will snapshot some of the hard work being put in by our phenomenal production and costume departments. They are the un-sung heros of this company. Let's start to sing about them, shall we?

So, sit back and marvel at the process!

This is a wide shot of what is taking place on the Empire stage. (Hans, Wendy and Matt working diligently.) I will recreate this same photo every time and it will give a unique glance at the process as it unfolds. ---

---This photo shows some of the set pieces pulled from our previous productions of Peter Pan. They are waiting so patiently for their opportunity to shine, aren't they? A new nail or two here, a little dab of paint there...

Matt, Hans and Wendy work on a piece (one can only assume) of Neverland rock! ---

--- These are some of the MANY props that will be used for Peter Pan. The note reads: "Abandon ALL Hope Ye Who Enter Here. There will be a holocaust of technicians." Now, who after that, doesn't want to play? (The skull- Yorick. Anyone???)

Eddie does a brilliant Captain Hook impression. ---

That's a good, solid teaser for you.

So, come back in a few days and check out where we go from here!

See you then.

Move On...

2008-02-11T12:18:00.000-05:00

Posted by Billy Christopher Maupin

"Stop worrying where you're going-move on. If you can know where you're going, you've gone. Just keep moving on."

Those are some lyrics pulled from "Move On" from Sunday in the Park with George by James Lapine and Stephen Sondheim.

And so with the closing of Rumpelstiltskin's Daughter, that's what I'm trying to do.

I auditioned for Greater Tuna at Barksdale Theatre at Hanover Tavern last night. I had planned on auditioning tonight, but had to go back to the theatre because I forgot something and thought "Why not!" Thomas Nowlin and I actually both did the same thing, following our post-closing gathering with the cast, director, crew of RD at Tarrant's.

It's an hysterical show and is helmed by a truly hilarious director, Joe Pabst. So whether I get it or not, I'm greatly looking forward to the production!

You can check out the show and order tickets on the Barksdale Theatre website, or by calling the box office at 282-2620. It opens on March 28 and is sure to be a smash hit, so get your tickets before it sells out!

An Actor...

2008-02-10T08:04:00.000-05:00

Posted by Billy Christopher Maupin

I don't even know what to call this post. There are many titles it could hold, but none of them quite seem to do it justice. The show closes today with the two o'clock performance. I used to think that closings would someday get easier. And maybe someday they will. But, every one remains to be different.

This experience...I don't even know. I have so enjoyed every single person that has been involved with this show. It seems to have become such an embedded part of life that it now seems so strange that it's going to end. It seems so rare that a whole cast seems to really click together with no exceptions, especially a whole team.

I felt like with Smoke on the Mountain that the whole "family" just seemed to mesh so beautifully, but with that there was the hope of perhaps performing one of the sequels in a not-so-distant season (and we are now, in fact, all going to be back together it seems to perform Sander's Family Christmas at Barksdale Theatre at Hanover Tavern starting in November). But with Rumpelstiltskin's Daughter, it's one of those that you know for certain that you will never have these same people in a cast together again. It's like moving away from home.

There are so many wonderful memories. We have such an incredible time. So much fun amidst so much hard work. But everything must have a balance it seems. And having the best job in the world must have it's downfalls. Closings, for me, are the biggest of these.

With these people, I even seem to be able to take joy in the dance numbers (which frighten me on a regular basis).

I don't know that I can continue to be anywhere close to articulate about how I feel about the cast and crew and creative team, so I should wrap it up.

It's been such a beautiful story to be able to tell, with such beautiful people. I feel so fortunate to have been able to be a part of this project and I know it's one that I will forever carry fond memories of.

I really love this cast. The ones that I've been hoping to work with for quite a while, the ones that I've worked with before, and the ones I didn't know before.

This is going to sound really cheesy, but theatre seems to me to really be magical. (Cheesy continues:) One of the lyrics in the show is "Magic changes all of your faces. Open your heart and you'll find, that magic lives in all kinds of places, like deep in your heart and in mine." I have learned so much from this cast, all of them (Cathy, Corey, David, Gigi, Jackie, Jacquie, Maggie, Matt, Richard, Thomas), from Dawn, from the crew, from the playwright, from the play....I should really pull it together and stop crying. hahaha. But this has truly been one of my favorite and most magical experiences. I hope that I'm able to take that and carry it on. I hope we all are.

With Nothing But a Slim Jim and a Chocolate Bar...

2008-02-04T18:27:00.000-05:00

Posted by Billy Christopher Maupin

A great tour story from a Theatre IV veteran, currently appearing in Rumpelstiltskin's Daughter- Jacqueline O'Connor.

My second tour was 'Twas the Night Before Christmas - Fall/Winter 1988. A very talented cast and it was one of the first (if not the first) tour to go to Chicago. Each tour had a manager and ours was this woman named Eloise. She was a Theatre IV tour veteran and the natural choice to manage the rest of us newbies. One of our first stops was the wonderful city of Chicago. Eloise decided that we would take two days to get there. Stopping in the Ohio area first and then starting out in the AM for the last leg of our journey.

We woke up on the second day to discover that a HUGE snow storm had dropped several feet on us while we slept. Many of us thought it was not a good idea to get back on the Ohio Turnpike. We thought we should wait until they had a chance to clear the roads. But Eloise decided that we should risk it. So we got on the road (I should mention at this point that none of us had eaten breakfast). We drove about 10 mins and then came to a dead stop.

After about 20 minutess of no movement we finally turned on the radio only to hear that a tractor trailer had overturned on the highway and was blocking all 4 lanes of the turnpike. So there we sat...for over 5 hours! There was no way to back up. We had to turn off the engine and the van became instantly cold. We covered ourselves with the show costumes.

We had a Slim Jim and one chocolate bar and we split it with everyone. Of course, being the dramatic actors that we were, we decided to write a goodbye note to our director, John Glenn, telling him of our plight and assuring him that we tried hard to survive and do the show...and to please tell people this when they found our frozen bodies.

We did end up getting there and somehow the school knew we were stuck and rearranged their schedule so we could still do the show. So it all worked out. But I still get a chill when I think about Chicago!

-Jacquie O'Connor

The Show Must Go On

2008-02-04T04:51:00.000-05:00

Posted by Billy Christopher Maupin

I have solicited fun tour stories from the actors currently on tour with Theatre IV. This evening I received a message from Jennifer Zubernick. That message follows:

Hey Billy-Christopher,

I'm not sure if you're still in need of tour stories, but have I got one for you.

As you know, I'm in Harriet Tubman and the Underground Railroad. On Friday, we were scheduled for two performances Connecticut. The weather was very cold, rainy, and icy but we got there safely. The first show went wonderfully, and we went back to our dressing room to relax and have some lunch before our next show. Steve (Freitas) went onstage to fix something and when he came back, announced, "Hey guys, we have a really big problem." Concerned, we all asked, "What?" His response was somewhat surreal, "Umm, it's raining... on the stage." We all went out to the stage to see for ourselves and sure enough, it was literally raining on the stage. Somehow rain had penetrated vents in the ceiling and was coming down somewhat steadily in two big puddles near stage left. Not only was the stage quickly becoming slick where a lot of running action takes place, but one of the stage lights flickered as it was getting hit with the rain and our all-wood set was slowly getting wet and ruined. Stephanie (Hill), our road manager, alerted the theatre staff about the dangerous stage conditions. However, they had tons of kids already booked for the performance, so we got on the phone with Gordon Bass (TIV tour manager) to hear his advice. Not surprisingly, he also wanted the show to continue.

So what was a cast to do? The theatre was already filling with kids who had been bussed in from all over CT, and the theatre staff as well as our people back in Richmond wanted a show. So, we gave them a show. After some quick onstage thinking, creative blocking and differing set change placement, we gave just as good a show as any other, and soon enough no one in the audience was even paying attention to the unwanted rain special effects.

And that was within a week and a half of tour. We're performing until mid-April. If we can pull off a show in the rain, there's little we won't be able to handle if it comes our way.

-Jennifer Zubernick

Maggie Roop Does Double Duty

2008-02-01T23:58:00.000-05:00

Posted by Billy Christopher Maupin

Maggie Roop is currently appearing as Lady Vennesse/ Granny/ Ensemble in Rumpelstiltskin's Daughter, while rehearsing the role of Sister James in Barksdale Theatre's production of Doubt: a Parable by John Patrick Shanley, both productions being part of the Acts of Faith Festival. Here she fills out the questionnaire and then talks about pulling double-duty in these productions.

Hometown: Herndon, VA.

Audition song: "Stop and See Me" from Weird Romance. It's a gem.

Special skills: This is one of those things that I never know how to respond to. I can't juggle or skateboard or do handsprings. Apparently I'm good at staying calm in stressful situations! According to Jackie Jones this is true but I'm sure some would disagree!!!

Favorite word: During the recent presidential debates, I have enjoyed the use of the word "mobilize". I like that one.

First show ever saw: Les Mis at the National in D.C. when I was 7.

If you could go back in time and catch one show (Broadway or otherwise) what would it be?: Company with Raul Esparza!

Favorite show tune: Anything from Les Mis pretty much. I stick to my roots.

Least favorite word: I think my new least favorite is "wimple"!!

Favorite play: It's too hard to pick just one...my favorite new play that I saw recently is probably Frost/Nixon.

Favorite musical: Hedwig and the Angry Inch and The Wild Party (the Lippa version) are my faves in the Contemporary category. But I was brought up on Oklahoma! and Showboat.

Most played song on your iPod (or CD player): "Fidelity" by Regina Spektor or anything by M.I.A. especially "Hussel" or "Roadrunner". Oh, and Christina Aguilera suits any mood I might be in!!

Last book you read: Breakfast of Champions by Kurt Vonnegut. Good stuff.

Sound or noise you love: The voices of my nephews and my cat purring.

Must-see TV show: LOST!!!! My new fave is Life.

Last good movie you saw: La Vie En Rose. It's the Edith Piaf movie. It's fantastic and everyone should see it. I haven't stopped thinking about it since I watched it a couple of days ago. Incredible acting and an amazing story. See it.

Sound or noise you hate: Whining. Even if it's me.

Worst job you ever had: I nannied for someone once who was less than enjoyable to work for. No names!!

First stage kiss: Evan Hoffman my senior year in high school! We were Billy and Hope in Anything Goes. He's also still acting! And we're still friends. Lovely.

Worst costume ever: Ok, don't hate me Liz Hopper, but once I was painted blue and wore thigh-high boots and a Kathy Griffin wig. It wasn't my favorite costume ever!!!

What turns you on (creatively, spiritually, emotionally)?: I like someone who is confidant in their creative abilities but with modesty and grace. I love when people thrive on other's input in making creative decisions. There is always another perspective or another approach. There is nothing like an energetic debate or discussion about anything, especially when it's something you love like your creative art!!

On doing double duty:
Working on Rumpelstiltskin's Daughter has been a unique experience for me because it has not been the only play on my plate in the recent weeks. I also have the pleasure of playing Sister James in Doubt: a Parable for Barksdale Theatre, directed by Keri Wormald.

Somehow in auditioning for both Rumpelstiltskin's Daughter and Doubt I failed to notice the overlapping Rump performances and Doubt rehearsals. In fact, Doubt tech starts during the closing weekend of Rump. The happy part was that I was cast in both shows, the downside was the realization by directors and managers and myself alike that I sadly cannot be in two places at once. Enter Jaquie O'Connor. Thankfully she was prepared to swoop in, learn my roles in Rump and essentially save the day! We share the part now and she will be joining the cast for her first performance tomorrow afternoon, 2/2 at 3pm. I look forward to my chance to see the show from the house in full. Should be glorious and sparkly and golden. Hooray!

It has been interesting to compare the two experiences as they happen side-by-side. A musical vs. a play, the Empire vs. the Barksdale, a smallish cast vs. a very small cast. The only real similarities have been that I thoroughly enjoy both casts and I am having a wonderful time with both shows, I am glad to say.

One of my favorite things about many of the plays I have done here in Richmond is the opportunity to be a part of something new, different or experimental. This is an aspect of Rump that I've enjoyed. The version we have is the only one that's been done. It is exciting to do something knowing that it is fresh and a discovery. The discovery we are exploring in Doubt rehearsals is a different brand. This is a fairly new play but it's had it's turn on Broadway, won that Pulitzer. The group of us, with Keri at the wheel, are finding so much in this play as we roll along. We are barreling through our first couple of off-book runs. And it is delightful!
While performing my amazing-overlapping-show trick, I have not come through unscathed. My scratchy throat is finally clearing up and that night when I couldn't see Billy Christopher's face because of a setting-in migraine is merely a glimmer in my past. It wouldn't be theatre without a little bit of turmoil. All-in-all, I am having a wonderful time. I just moved back to town in October and Richmond has welcomed me back with open arms. Thanks to all my cast mates and my two directors, and those two stage managers and all you tech fellas that make the world go round. Oh, and for you painters, our sets sure would be different if you weren't around!!!

Harriet Tubman and the Aboveground Van

2008-02-01T15:26:00.000-05:00

Post Billy Christopher Maupin

Pictures from Jennifer Zubernick's Facebook page (posted with her permission). Jennifer is currently playing Sarah Bradford (the woman that wrote Harriet's first biography and rallied strongly to get it published) in Theatre IV's Harriet Tubman and the Underground Railroad on tour. The production was directed by Joy Williams and written by Doug Jones. So here are just some fun pictures from their rehearsal and on the road.

Day 1, Show 1: Sound problems. Sound Guy Steve tries to ammend things before showtime.

Steve nervously bites his nails while his sound career is over before it begins.
Steve attempts to tackle basic addition and subtraction with a mathmatic beach ball.
Hmm...millions of peaches. Peaches for me.
Our trusty road manager giving a pep talk before our official open.
"No idea what the problem is."
I'd say even more actor athletics but really, Steve isn't even trying.
Everyone looks discerningly at the soundbox.
Optimistic faces before our first performance!
Last photo at the Empire after our IDR. Joy looks proud of us, so I'll take it as a good sign :o)
Actor athletics.
I'm not sure what's happening here, but I bet it's brilliant.

In Gigi's Words...

2008-01-30T23:18:00.000-05:00

Posted by Gigi Galiffa via Billy Christopher Maupin

Hello everyone! OK, here goes. So I was asked to write a blog about Rumpelstiltskin's Daughter (at least it's not as hard as spinning gold, right?) and I decided that instead of singing a song about it, I would just go ahead and do it.

Haha =]. Please excuse my bad jokes. Anyway...about the show.

I'll start at the beginning. Since the audition process, this experience has been one new adventure after another. On the night of the callback audition, I ran into the Little Theatre more than halfway through the audition, coming from a district field hockey game. Adhering to Dawn's request, I stayed in my sweaty uniform and kept myself a stinky mess from the game. What a great impression, huh? Apparently the smell didn't offend her too much, because the next day she called me with the exciting news that I had been cast as the title character! I literally screamed when I got the message! Fully supported by my friends and family, I accepted my first big professional role.

Then came the first meeting/read-through. How exciting/ terrifying/ fun/ intimidating/ hysterical! I was sitting in a room talking and eating pizza with people I've seen in so many shows around Richmond. And now I was doing a show with them?! "OMYGOSH! What am I doing here? Dawn must be crazy!" ...a little dramatic I know, but hey. My performing experience had consisted of show choir and high school musicals. But right away, everyone was so welcoming that my nerves were calmed and excitement took over.

Then, rehearsals started and the rest, as they say, is history. Who could ask for a better group of people to work with? I don't think I made it through even one rehearsal without laughing so hard my stomach hurt! And the beauty of it is that we actually got work done!

I've made some great new friends and even reconnected with some old ones. I've also learned so much about myself and my performance (as well as theatre as a whole) in the past four weeks than I think I have my whole life. The show is super fun! Dawn is wonderful! The cast, crew, and creative team are too awesome and talented for words! I wish I could express just how much it means to me to be a part of this show and know all of these amazing people, but then I would have to write a big, long blog and... oh wait. Hahaha.

So I guess what I'm trying to say is I'm absolutely loving everything right now in my 17-year-old life, and a good deal of my happiness is due to my experience in Rumpelstiltskin's Daughter. I love you guys!!!

"Sanity and happiness are an impossible combination." =]

- Mark Twain

Richmond Boys Choir Earns National Kudos

2008-01-30T20:23:00.000-05:00

Posted by Phil Whiteway

Congratulations to the Richmond Boys Choir! Out of 350 nominations nationwide, the RBC was selected as one of only 18 nonprofit organizations in the nation to receive the prestigious Coming Up Taller Award 2007 from the President’s Committee on Arts and Humanities. The award ceremony took place in the East Room of the White House, with First Lady Laura Bush presiding.

For ten years, the Coming Up Taller awards have honored youth organizations that make extraordinary contributions to arts and culture in their communities. The Richmond Boys Choir is the first and only Richmond group to receive this national recognition for artistic and community service excellence. The honor was accompanied by a $10,000 cash award and a plaque.

The current Richmond Boys Choir was founded as a subsidiary of Theatre IV in 1996. At that time, Bruce learned that the original Richmond Boys Choir had fallen into non-existence in the three years following the death of its founder. He decided that Theatre IV was in a position to reinvigorate the Choir. He convinced me, and we convinced the Theatre IV Board of the validity of this idea.

Billy Dye (pictured to the left), who was at that time a fulltime staff member of Theatre IV, was assigned the responsibility of serving as the artistic director of the new Choir. He’s continued to serve in that role ever since.

I. B. Taylor, a Theatre IV Board member, was asked to chair the committee that provided governance for the new choir. From 1996 until 1999, Theatre IV mentored the Richmond Boys Choir, paid its staff, built its Board, managed its finances, and raised funds on its behalf. During this three year period, the choir was housed in Theatre IV’s offices and rehearsed and performed in Theatre IV’s historic Empire Theatre.In 1999, the Richmond Boys Choir fulfilled its strategic plan and became the fully independent nonprofit organization that it is today. I. B. Taylor resigned from the Theatre IV Board and became the first President of the Board of the RBC. Bruce served as a charter Board member. Nine years later, our two independent companies continue to be the closest of allies.

The Richmond Boys Choir welcomes members from all socio-economic, religious and cultural backgrounds. They have opened for and/or performed in association with Wynton Marsalis, Lily Tomlin, former Supreme Mary Wilson, James Earl Jones and Archbishop Desmond Tutu. Their spirit and talents have been showcased at the Governor’s Inaugural Prayer Breakfast and broadcast nationally on The Today Show, winning praise from Katie Couric.

First Lady Laura Bush had this to say during the award presentation earlier this week:

Mrs. Bush - “Thank you all for coming, and thanks to each and every person in this room for your work to promote the arts and humanities—especially through these Coming Up Taller Awards. The 2007 winners are outstanding. Choirs and theatre groups entertain. Museum and heritage programs educate. Art and dance studios delight and inspire. And every single Coming Up Taller program helps young people use their energy and creativity to succeed. In Philadelphia or Fort Worth, what all of these programs have in common are dedicated adults, eager to help young people make the most of their talents and their lives.

The voices of the award-winning Richmond's Boys Choir have delighted audiences across Virginia. They've also delighted audiences from “across the pond.” This year, the choir performed for Queen Elizabeth at the opening ceremonies of Jamestown's 400th Anniversary. In addition to learning protocol for meeting the Queen, and proper table manners for a formal banquet, choir members develop teamwork, patience, and outstanding musicianship.

Congratulations to all of the recipients of the 2007 Coming Up Taller awards. Because of the great programs you represent, young people are discovering the humanities and the arts. They're building the confidence to paint, dance, speak, and sing—and in every one of their communities, to walk taller. Thank you all very, very much.”

(At this point in the program, the Richmond Boys Choir was introduced to perform before the assembled body, under Billy Dye’s direction.)

Mrs. Bush – “Thank you very much to the Richmond Boys Choir. You were terrific, and that was a really wonderful way to end this Coming Up Taller awards program. I like that you sang Stevie Wonder's song "Always," because I think that's what children in each one of these programs that we've represented today will learn in your programs, and that is that somebody will love them always.

So thank you to each and every one of you. We really can change lives for the better. We really are choosing a life, a wonderful way to live, when we teach and study the arts and humanities.”

All of us at Theatre IV are bursting with pride that our brother organization has received this national recognition. Congratulations to Billy and to all the boys. Job well done. We feel like proud parents, and that’s a great way to feel.

--Phil Whiteway

This Lady in Waiting Gets Her Turn

2008-01-29T13:11:00.000-05:00

Posted by Billy Christopher Maupin

I asked Jacquie O'Connor to write a bit about her experience in the show, to give a bit of a different voice and because she's got a very interesting part in the project. Maggie Roop, one of our four fabulous ensemble members, after being cast in RD, was also cast in Doubt: a Parable at Barksdale Theatre, so Jacquie will be playing the weekend performances for the remainder of the run. That should catch you up enough to jump into where Jacquie started telling the story:

When I got the call from Steve Perigard asking me if I was interested in understudying and stepping in for the very talented Maggie Roop in Rumpelstiltskin's Daughter I was thrilled! Way back when I used to perform all the time on the magnificent Theatre IV stage and I missed it. I have very fond memories of all the children shows I did at Theatre IV, but one of my favorites was the last one I did….King Island Christmas directed by Steve. It was special because I finally got to work with both Bruce Miller & Phil Whiteway in a play! Oh boy do I have stories…we had this lovely song about the Northern Lights that we sang about halfway through the show. This was one of those complicated lyric songs that take a while to memorize (even longer if you are not in your 20’s anymore). Phil "pie boy" (in the show) was having the same issue as most of us were. He however had a fun way to cover…Steve had directed us to circle around the Island while we sang and each time Phil passed me he would have this beaming smile on his face, acting his heart out, only instead of the words to the song he would be singing "la, la, la, la"…it made me laugh really hard. I have to admit that I was a little disappointed when he got the lyrics down. It was such a lovely show...hmmm is it time to bring it back?

Anyway, back to this understudy gig. So after the initial "YEAH" reaction I had to Steve's call…the DREAD hit me. I am NOT good at throwing myself into a show and learning songs, dances and lines in less then 2 weeks. I mean who is…OK, Joe Pabst is…but he is a freak of nature. I went to my first rehearsal feeling like perhaps I had made a mistake. I have to tell you in all honesty…this cast has made it so easy! They made feel like I had been a part of their family the entire time. No one told me to get out of the way as I shadowed (stalked) Maggie, and they never said no to a request to go over something with me. They are perhaps the most giving cast I have ever worked with.

Theatre IV has been kind enough to give me a full run-through this Weds night and then I on go on this Sat. Ready or not (I think I'm ready)…this has been such a fun journey and anything that goes wrong…well, I will just add that to my pile of fun theatre stories.

The Reviews are in for RD

2008-01-28T16:27:00.000-05:00

By Billy Christopher Maupin

What some are saying about Rumpelstiltskin's Daughter at Theatre IV:

Mary Burruss (a regular theatre critic for STYLE Weekly) writes on the RichmondVATheater Blog:

"[My seven-year-old daughter and I] both walked out with big smiles on our faces."

"Engaging for kids of a variety of ages and the adults who escort them, funny, enlightening with it's message, politically correct for our time, colorful and just the right length"

"new, well directed, well acted, well designed and crafted set, sound, and lighting, appropriate, fun, well thought out costumes, excellent make-up, choreography that is appropriate for the show and its actors, and wonderfully talented cast who's abilities are utilized properly to make a show that flows seemingly flawlessly across the stage"

"hilariously wicked duo of Jackie Jones and Matt James"

"fell in love with Richard Koch as the King"

"really great theatre"

Susan Haubenstock writes in today's Richmond Times-Dispatch review:

"Dawn A. Westbrook is the director/choreographer, and she brings lots of fun to the show, aided especially by Elizabeth Weiss Hopper's witty costumes and Greig Leach's brightly colored scenic design. Westbrook's dance numbers are especially amusing, and she gives her villains--the hilarious Jacqueline Jones as the Queen Mother and Matthew James as the Duke of Bonfire--loads of funny business to do."

"Richard Koch, who gives a hysterical performance as the King. He's greedy, he's vain, he dresses funny, and he talks silly -- he's a perfect buffoon."

YAY! Congrats to Theatre IV!!! Get your tickets! It closes in only two weeks on February 10.

Also be sure to be on the look out for another free ticket contest and the "An Actor Prepares" blog at http://www.theatreiv.blogspot.com/.

Tickets can be purchased online or by calling the box office at 344-8040. (Or you can purchase tickets through the Barksdale Theatre box office with the same phone call, while you're purchasing tickets for Doubt: A Parable [Starring Duke Lafoon, Irene Ziegler, Maggie Roop, and Katherine Louis]).

An Actor is...Really Behind in Blogging!!!

2008-01-27T09:17:00.000-05:00

Post by Billy Christopher Maupin

I just slept about 14 hours which might explain why! It's been a crazy, crazy week! And now there are so many things to talk about. I thought about writing three successive posts, but perhaps I'll throw it all into one!

I promised pictures when I got into the office, but alas a gazillion other projects awaited at the office, but hopefully I'll have them up this evening.

The "preview performance" Friday morning went very well. It was a school matinee so lots and lots of elementary and middle school students. It's been quite a while since I've done a theatre for young audiences show. With the exception of one day of The True Story of Pocahontas on tour when David Janeski was sick and I filled in for him on-book, my last performance of such a production was as the title role in The Adventures of Huckleberry Finn with Theatreworks/USA in New York in early May of 2005 (pictured to the right is an offstage picture [in costume] of Sloan [Tom Sawyer], Ben [Huck's Father], and me [Huck]). I really had forgotten the utter joy of bringing live theatre to children. It was so incredibly moving. And continues to be with each performance. Especially with the ending of the show when a little secret is revealed in the plot (which I won't give away here, because Dawn, Bob, and so many others would probably have my head) I get very misty-eyed and have to try to not shed the tears onstage...which I haven't yet been successful in doing. Hahaha.

Then we opened Friday night! People loved it! It was fantastic! So much fun! Then Theatre IV had an opening night reception, which was also great fun, so we were there for a while.

Then several of us went over to Comfort (a nearby restaurant) and hung out with Dawn since she started vacation with a 4AM flight on Saturday (which I'm told was quite turbulent) and is now enjoying some ski slopes with her husband, Carl, and daughter, Sydney. We had a blast! Mary Burruss came on opening night which was really exciting. I don't think STYLE is going to have an opportunity to run a review of the show, but when I ran into Mary at Pet Shop Days at the Firehouse the Friday before, I told her she had to come anyway. She wrote a really fabulous blog about the show on Dave T's blog at http://www.richmondvatheater.blogspot.com/. So you should definitely check that out.

Two shows yesterday, Saturday. The first at 10AM!!! Wow, that's early. The morning audience seemed relatively quiet, but really enjoyed the show. The afternoon audience was very vocal, which is always fun.

Oh, oh, oh. There is a "Meet and Greet" following each public performance where the audience gets to meet the cast and get their playbills autographed and all that fun stuff. While I was signing a child's program, the woman with the child says, "You write the blog, right?" YAY! It was so exciting! I realize that the TIV blog has a less frequent readership that the Barksdale blog which is sometimes a bit discouraging, even though there are tons of factors that play into that. Anyway...her incredibly wonderful comments about the blog really made my day.

I think I should stop now. On to the hunt for breakfast!

An Actor Gets an Audience

2008-01-24T23:15:00.000-05:00

Posted by Billy Christopher Maupin

We had an invited dress rehearsal tonight. Our first "performance" is at 10:30 in the morning. So this is gonna be pretty short.

Show is really fantastic! Such a great take on a fairy tale! Oh, invited dress rehearsal, I should perhaps explain, generally happens as the final rehearsal of a show when the cast, crew, designers, etc. are allowed to invite a few guests so that everyone can get a taste of what the show is going to be like in front of an audience. We had quite a few people tonight, including Robert Neal Marshall (who wrote the book and lyrics). He has been incredibly supportive and complimentary of the cast which is great. And he told me tonight that he reads the blog, so that puts him high on my list of favorite people...hahaha.

It would seem that we're ready to open! I hope. hahaha. I think that's so frequently the feeling. At least for me. Jackie shared this great mantra with me: "I know all my lines. And I am supremely confident in my performance." It's so helpful! (Note: I may be paraphrasing a bit.)

So I've been saying it. Now I'm trying to believe it!

Off to bed, so I can be fresh and fabulous for the big day tomorrow!

Oh, we had a photo call last night, so I'll post some pictures from the show tomorrow from the office. So fun! I'll also talk more about our fantastic photographer Jay Paul, as well!

Dawn Westbrook...Questionnaire...'Nuff Said

2008-01-23T14:02:00.000-05:00

Posted by Billy Christopher Maupin

Dawn Westbrook, our hysterical director of Rumpelstiltskin's Daughter, has filled out the new questionnaire! This woman is a riot! So I'm just gonna let it speak for herself. And if you wanna see her hysterics onstage, come check out RD at Theatre IV, opening THIS FRIDAY!

Hometown: Sandston, Virginia

Audition song: "Don’t Rain on My Parade" from Funny Girl

Special skills:Right now??? Doctoring up gold coins to make them shiny.

Favorite word: Cozy

First show ever saw: Professional would have been at Theatre VA and I think it was Tintypes

If you could go back in time and catch one show (Broadway or otherwise) what would it be?: The original cast, opening night of A Chorus Line .

Favorite show tune: I love “The Story Goes on” (if sung well)… from Baby.

Least favorite word: No

Favorite play: I loved watching Take Me Out sometimes I can’t tell if I enjoy great direction and magical moments, or the writing better. It is GREAT when they are both present. This one had both!

Favorite musical: I absolutely ADORE Avenue Q!!!!!

Most played song on your iPod (or CD player): "Love is Gone" at the gym or running.

Last book you read: Eat, Love, Pray but I am currently reading Obama’s newest book The Audacity of Hope.

Sound or noise you love: Mommie!!! Being screamed by my daughter when I come home.

Must-see TV show: My husband and I love American Idol, but I haven’t had a chance to watch it this season due to rehearsal conflicts. My favorite show is Entourage.

Last good movie you saw: Juno, which was recommended by my friend Jacquie O’Connor. My husband and I were able to finagle a date during rehearsals and one of my Friday nights off we caught dinner and this movie. Made for a great date night. And again…I’m back to “cozy” and “good direction and writing” all in one evening. Nothing better, my friend, nothing better.

Sound or noise you hate: The word NO. I hate saying it and I HATE hearing it.

Worst job you ever had: Working for a man I didn’t respect at Northwestern Mutual Service with 9-5 hours.

First stage kiss: South Pacific in High School with former Richmonder R.L. Rowsey

Worst costume ever: There are worst designs and then there are one’s that just didn’t flatter. I think I’ll leave this one alone.

What turns you on (creatively, spiritually, emotionally)? Creatively would have to be “Yes, I think we can do that!” Spiritually would have to be when justice and harmony are present and make their energies known to the universe. Emotionally …is a little more difficult to describe, but I think it’s when I FEEL the presence of justice, harmony and/or love in a moment, because I think that gives us a glimmer into what GOD is all about.

Billy-Christopher Has Surrendered to the Questionnaire

2008-01-23T11:20:00.000-05:00

Posted by Billy Christopher Maupin

My turn! (Makes me think of Bronson Pinchot in the Broadway revival of Putting It Together when he came out to sing "Buddy's Blues" from Follies. Anybody? ...Nobody?)

I thought I wouldn't do the questionnaire, since it might seem a bit odd to do it and post it myself. And my boss (the fabulous Sara Marsden, Director of Marketing) also thought it was odd), but I figured what the heck. I'm in a show daggone it; and the mood struck me, so here it is: (Just ignore the rather dated headshot there at the top.)

Hometown: Campbellsville, KY

Audition song: "Not a Day Goes By" from Merrily We Roll Along (for EVERYTHING!!!) I auditioned for a pop show in NY with this song and the casting director asked me to learn a pop song and he would like to see me again. Very nice guy.

Got my Equity card singing this song in the style of Huck Finn!!!

Special skills: hehehe...a bad Katherine Hepburn imitation. And I can eat popcorn out of my nose without using my hands.

Favorite word: lascivious

First show ever saw: Cats (ech...ech...sorry, hairball)

If you could go back in time and catch one show (Broadway or otherwise) what would it be?: First replacements in Sweeney Todd: Dorothy Loudon (Tony winner as the original Miss Hannigan) and George Hearn

Favorite show tune: "I Dreamed a Dream" from Les Miserables; such an incredibly well-crafted piece.

Least favorite word: How about phrase? "You're too young." I've heard that several times lately. Favorite play: The Zoo Story by Edward Albee (who turns 80 on March 12!!!)

Favorite musical: Oh...so hard to choose... Godspell, Les Mis, Jekyll and Hyde (concept version, not that mess that ended up onstage), Sweeney Todd, ...

Most played song on your iPod (or CD player): currently anything on Patti Lupone's The Lady with the Torch album

Last book you read: Pillowman by Martin McDonagh. Disturbing. Wish that I hadn't started, but once I did, I couldn't put it down.

Sound or noise you love: a creek

Must-see TV show: Golden Girls (hehehe)

Last good movie you saw: Across the Universe (I bow to Julie Taymor)

Sound or noise you hate: Macy Gray singing.

Worst job you ever had: McDonald's (four times; three different McDonald's), which was rivaled only by a theatre I did summerstock with, but we'll let that lie.

First stage kiss: I was 21, she was 15 (and in her first professional production). I had just moved from Kentucky to take my first fulltime professional acting job in The Diary of Anne Frank. She remains to be one of the most professional actors I have ever worked with.

Worst costume ever: The Secret Garden. Dickon. Knickers. Vest. Neither of which are very flattering to guys that are not small. I was quite not small then.

What turns you on (creatively, spiritually, emotionally)?: A great connection. Onstage or off. Indefinable. But you can feel it when it happens. Especially when you're sitting in an audience watching it happen...or sitting across a table from that person and it's happening.

No Clever Title Tonight- RD

2008-01-22T23:20:00.000-05:00

Posted by Billy Christopher Maupin

Dawn holds to the philosophy that the more times you get to run the show the better. Which can be very frustrating early on, when the whole piece is a mess, as opposed to having one thing down really well, but at this point, it's really rather fantastic to have the whole show getting settled into our bodies, minds, voices, etc. Especially with the many, many, many costume changes (and some of them incredibly fast!). So glad to have Renee (our dresser) backstage along with a really terrific backstage team: Jason, Robert, Eddie, and another whose name I'm forgetting....arrrgh...I'll post it when I learn it! Shame on me!

Tonight after the very stop-and-start run (which included several new props, new blocking, choreography, vocal tracks, costume pieces and more) I believe Dawn referred to the "theatre goblins" attacking the show because so many things went awry in tonight's run. But the really cool thing is that IT'S ONLY TUESDAY!!! We have until Friday!

The show is in such great shape that it was probably incredibly helpful to have a really rough run to keep us on our toes. It's definitely coming to the time when everyone (or most) is getting nervous as the opening gets closer and closer with each passing moment (cue eerie music), but still for the most part, all of that is being navigated very gracefully. It's so fun to work with a group of such talented and kind people (and FUN!).

Oh, oh, oh. I would be totally amiss if I didn't mention that the costumes look FABULOUS! The sets are HUGE and FABULOUS! The lights are FABULOUS! The special effects are TRES FABULOUS!

Derek Dumais (sound engineer) helped us lay down some backup vocal tracks today, as we have a much more intimate-sized cast compared the the production in the Edinburgh Festival and also in the workshop (one of which, I believe had 26 people). So several of the cast members (David, Cathy, Gigi, Corey, and I) just recorded a couple of the numbers to boost the sound a bit. The tracks that Julie Fulcher (recently seen in A Christmas Story at Theatre IV and Smoke on the Mountain at Barksdale Theatre at Hanover Tavern) are FABULOUS! Oh, so beautiful!

Everyone involved has really poured themselves into this. Wendy Vandergrift and Bruce Rennie have been doing some awesome tech support. Ginnie Willard, pinch hitting as properties mistress, is doing some incredibly fast and FABULOUS work. All the carpenters and painters have built this HUGE (oh...already said that) set.

OK...I should stop. I'm really excited about the show. It's really gonna be a ton of fun for us once we're able to navigate all of our costumes, props, etc. And I'm really excited to see how it plays with an audience (ON FRIDAY!!!). I really think it's gonna be a FABULOUS show!

Lady Camilla Bats Her Lashes

2008-01-21T17:38:00.000-05:00

Posted by Billy Christopher Maupin

Corey Davis (most recently seen in Theatre IV's Stuart Little as well as Home for the Holidays at Barksdale Theatre and the fabulous cabarets at the Empire Theatre...and as Lauren in the world premiere of Bill C. Davis' Austin's Bridge at the Firehouse Theatre Project) portrays (among others) Lady Camilla, one of the Ladies in Waiting that flirt with the Duke in Rumpelstiltskin's Daughter.

Hometown: Richmond, VA baby!

Audition song: open to suggestions

Special skills: backwards alphabet the say can I

Favorite word: facetious (the only word in the English language with all 5 vowels in their correct order)

First show ever saw: ever, Secret Garden - in NY, Footloose

If you could go back in time and catch one show (Broadway or otherwise) what would it be?: As a child, my family had Peter Pan on tape, starring Mary Martin. I would love to go back to my childhood and get to see that in real life

Favorite show tune: "Could I Leave You?" from Follies or "When I Look at You" from Scarlet Pimpernel

Least favorite word: moist....eww

Favorite play: Curious Savage

Favorite musical: RENT, I know that's stereotypical, but it's amazing

Most played song on your iPod (or CD player): at the moment, anything from Alison Krauss or Antigone Rising

Last book you read: Confessions of an Ugly Stepsister [BC NOTE: by Gregory Maguire, who also wrote Wicked]

Sound or noise you love: my husbands voice....hehe

Must-see TV show: Lost and Project Runway, though my favorite of all time is Dr. Quinn Medicine Woman! (I know, I know)

Sound or noise you hate: pink pencil erasers...it makes my teeth hurt

Worst job you ever had: Selling cookies at the mall

First stage kiss: Senior year of high school as Rosemary in How to Succeed in Business Without Really Trying

Worst costume ever: In my eighth grade chorus, we had these hideous outfits - big glittery gold tops with sequins and poofy sleeves with pants straight from an M.C. Hammer video

What turns you on (creatively, spiritually, emotionally)?: kindness

Theatre IV Blog

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No Clever Title Tonight- RD

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